Watched WW1984 on its premiere day.
WW originally planned for April 2020
I went to see it with my friends when it was released in London, but the closure was postponed, and it was the end of the year in a blink of an eye. Support it anyway.
The plot is quite satisfactory, but the rhythm is tight, the narrative is coherent and smooth, and there is no urine point in the whole process. Of course superheroes have to save the planet, even if they always have to pay the price, either family, lover, family and lover. WW is already so powerful - powerful means that she took on WF WW2 in a certain magazine, and then beat the two super bats to the bottom of their blood. Among the three giants, only the wonder woman is a real god—such a powerful WW has things that he can't ask for, and a lover who can't be recovered. I find this bit of vulnerability fascinating.
When watching the first part, many friends questioned that the heterosexual love scene for WW was forcibly added, which weakened her subjectivity. I don't think so. In the second part, I feel that it is precisely because of this loss that the loss brought about by the loss is regained, and then the gain is lost again. This plot of giving up one's love to save the world has instead made Wonder Woman's subjectivity complete. :
When she went from crying and running to feel the recovery of her divine power, to her jumping up and soaring into the air with a mixed expression of sadness and joy, to the sadness and joy that she found that she finally mastered the ability to control the wind and air, and finally , she walked against the wind, finally calmed down in the cold cumulus clouds and thin oxygen, and once again regained that kind of expression that only gods have, no sadness and no joy...
I have to say, at that moment, I really felt some kind of figurative transformation and leap, as if there was a cartoon white frame next to it that said: "Now, she becomes a real super shero." This should not be a male Or the narrative of women, which is a common narrative of human nature. BTW, this part of Gadot is really good. The moment from when she gave up her wish to when she returned to the battlefield in a gold suit was the highlight of the film and her own performance.
Talk about something else. I've always loved the way the directors of WW series portrayed women, especially Paradise Island. Powerful, beautiful, determined, and unabashedly aggressive and competitive. I also like some of the philosophical thinking that the director still adds in the commercial film: Wish or truth, choose truth. Although the story is that the world is peaceful and everything is beautiful, everyone, including the villain, is willing to give up their own The desire to embrace the truth to let everything go with the flow, is an over-idealized ending; the subject itself has not been explored too deeply, but what it touches is indeed the core. Especially at the end of 2020, watching this movie may indeed have more mixed feelings than at the beginning of the year. The family-friendly atmosphere of Lingwai's whole movie is indeed quite suitable for Christmas.
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