The themes are actually pretty good, and they mirror everyday life. Diana's choice and reconciliation about human ethics and divine morality also includes the emotions and responsibilities of a hero as an ordinary person. And in the daily context, it can also be linked to the contemporary entanglement of urban women, the entanglement between the appeal of self-subjectivity, the self-identification of ideal career, and the love of letting oneself. The Leopard Girl went from a lack of self to a labelled pursuit of Diana, and then returned to herself. This is reflected in the actual female narrative, which is the confrontation and compromise of women against the female identity in the male-dominated society. So female audiences may have a far more empathetic and intimate experience than men.
As a male character, Steve once again traded the sacrifice of a mortal body for divine morality. The villain, the obvious symbol of complaining about Trump, also forcibly gave a little bit of human weakening. Maybe the screenwriter thinks that Trump is a child of evil in his bones???. However, from the narrative arrangement, the bridge design, the expression of the entire scene language, and the dramatic structure, it is in a state of obviously unbalanced college entrance examination passing grade proposition composition, which is quite a disaster in the text space that commercial films themselves do not have ample space for. Moreover, except for the chick movies of the last century, the romantic comedy clips of Diana and Steve and the final emotional climax are barely complete, and the completion of other content is low and the behavior logic is mixed.
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