I need a little refreshment! Little fresh! !

Federico 2021-12-17 08:01:05

Overall, it's not pretty. As the title says, what I need is a little refreshing.
The name of Millie Cyrus, the typical American family story, and the iconic South Coast city, all make people look forward to a youthful freshness before opening the movie. But it's a tragedy, it's not. Personal development problems, stealing, family emotions that make it difficult to let go of hopes and dreams; personal emotional problems, first meeting friends and lovers with younger brothers, moms, and fathers; family problems, parental relationships, father's serious illness, mother's remarriage. . . It hasn’t been said yet, how do you already feel? Yes, chaos. Too many lines are buried. It was originally a 100-minute film supported by a small actor. Too many clues can easily make the less-skilled director tell the story in bits and pieces. NS. The starring must be certain, and the level of the audience is basically determined accordingly. The script is a more typical model of girl’s family and love. It is no good to tell the story too complicated, because it is determined in advance that those who will watch this kind of movie are not blocked. A loyal fan of Luss, if it's not a small fresh lover, or someone who doesn't want to watch Bergman or Scorsese on a tired night like me, but wants to spend a weekend simply and easily. Therefore, the director began to misplace the audience or perspective of the film.

Furthermore, the plot can be completely less complicated. There is no problem with removing the line of BLAZE. It is enough to save the turtles and read Tolstoy to show that Ronnie is kind. The design of the love period is also troublesome enough. If the conflict in Ashily is obviously pushing a little to the climax, then it needs to be rich in the family, the parents are strict, and the brother is killed in a car accident. These tasteless plots? The wedding is even more inexplicable. Is it to imply that two people aged eighteen or ninety should consider this nonsense information for a lifetime or is it purely to reflect how kind they are? Isn't that stupid enough to buy a dress? ! At first glance, I don't know how many unnecessary plots are in it, which caused the director to waste a lot of shots and time, and of course money. Too many characters make it difficult for the audience to concentrate, because the common sense is that as soon as a person appears, he will slightly wonder whether he will unfold the branch according to him. Therefore, the complexity of the characters and plots largely takes up the time and the audience of the protagonists. Attention, atmosphere is not enough, emotional expression is not in place, how can you have a good viewing experience in the end?

Let's talk about trends. I watched Charlie's life and death a few days ago, and watched this again before sighing. Speaking of Charlie, I looked at the youth inspiration that I thought Efron was good at at the beginning. My brother died and thought it was the warmth of the family. When the girl appeared, I realized that it was about love over grief. At the end, I’m sorry everyone, I cursed swear words. It turns out that this is a ghost movie. what is the problem? Inaccurate positioning. The inaccurate grasp of the film type and key points caused the plot breakpoints and the changing themes back and forth, which also affected the emotional push all the way to the climax and the impressive effect, so it went another way: plain. What reminds me is also Greta starring Hilary Duff, who I watched last year. There is another more fundamental problem similar to the above two: show off.

Nowadays, young and popular young actors are not willing to appear in entertainment movies, but hope to embark on the mature path of the powerful acting school through a certain film. Small cost, bitterness has become their key to film selection. But here comes the question, what kind of Streep-style acting skills do you expect teenage pop diva to have? Or do they expect their crazy fans to look at their beloved idols who can sing and dance and become the culprit of thieves or the death of their brother? Of course there is a saying of Aiwu and Wu, but if someone who likes Dafude likes a commoner diva or Greta, I believe everything is clear, right?

Therefore, there are three conclusions. First, don’t show off, give full play to your strengths, and do whatever suits you. When it comes to acting skills, it will come naturally; second, quasi-positioning, think more about the audience, and give full play to the creative talents on the basis of the right words. I believe that subjective effects can get twice the result with half the effort; third, avoid preconceived ideas before watching a movie, and then make a decision after watching it.

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Extended Reading

The Last Song quotes

  • Steve Miller: Ronnie...

    Veronica 'Ronnie' Miller: You lied to me dad.

    Steve Miller: I didn't lie.

    Veronica 'Ronnie' Miller: Yes you did. You said you were fine. You're not fine! That was a lie!

    Steve Miller: I hoped. I didn't lie it's not the same thing.

    Steve Miller: It's alright to be angry.

    Veronica 'Ronnie' Miller: Good!

    [pause]

    Veronica 'Ronnie' Miller: Is this why you brought me here this summer?

    [pause]

    Veronica 'Ronnie' Miller: Is it? So you wouldn't have to be alone while-.

    [Crying]

    Veronica 'Ronnie' Miller: Why didn't you tell us?

    Steve Miller: It's not what I wanted this time to be about.

    Veronica 'Ronnie' Miller: Well it is. It is now, daddy...

    Steve Miller: It's not. This is just another... another part of our terrific summer. Not one of the better parts I admit.

    Veronica 'Ronnie' Miller: [Crying] I love you.

    Steve Miller: Sweetie, I love you too.

    Veronica 'Ronnie' Miller: [She lays down with him in his hospital bed, crying] I love you, daddy.

  • Will Blakelee: Evening!

    [he puts his chair on the sand. Then takes out a lantern]

    Veronica 'Ronnie' Miller: Are ya movin' in?

    Will Blakelee: Hey, if I wanna get some sleep, I'm gonna need something to scare off the racoons. They don't like bright lights or music.

    [pulls out a radio and turns it on]

    Veronica 'Ronnie' Miller: You're planning to sleep here?

    Will Blakelee: Well, the truth is, the town sorta got together and we decided we just couldn't take another one of your bad hair days.

    Veronica 'Ronnie' Miller: [she hits him with her book repeatedly] What's the matter with you?

    Jonah Miller: [from the porch] This doesn't look good. You're not okay with this, are you?

    Steve Miller: [shakes his head 'no']

    Jonah Miller: Then we better maintain visual contact.

    Steve Miller: [nods his head 'yes']