La La Land really draws on Sing in the Rain across the board. Whether it's the dance steps or the last segment where they look at each other into a fantasy scene. At that time, when I saw LALALAND and saw this paragraph, I thought it was very innovative. I didn't expect this idea to come up fifty or sixty years ago.
The whole movie was enjoyable to watch. One is the joyful song and dance in the play, the tap dance with the ultimate touch, with a strong sense of rhythm, and people can't help but want to dance. And all the singing and dancing are naturally switched to KTV mode when the mood is up, there is no meaning to be boring. The actors at that time were really hardworking, with vivid expressions and flexible body language, targeting the audience for laughs, and the humor and humor never expired. The other is a comfortable plot, a typical cool literary routine, hard-working and talented people achieve success with their diligence and talent, and the heroine who works silently behind the scenes to turn the tide is finally affirmed. Those who truly love each other go to a happy ending. In addition, there are comfortable color matching and awesome scene scheduling. Stunning.
Sort out a few clips or shots that I like.
① At the beginning, the male protagonist was invited to introduce the process of acquaintance with Lin Na. All of his introductions were good news. The actual truth seemed funny and sad, but he was beautified and exaggerated. This contrast is interesting, creating a comical effect on the one hand, and hinting at the optimistic and determined character of the male protagonist on the other. And in just a few minutes, he introduced his road to fame, and the conception is very delicate.
② Reunited with the heroine on the set, took her to the studio, turned on all kinds of equipment, the atmosphere team was in place, opened up tenderly and euphemistically. This part is beautiful. I have to say that this set is really beautiful. They were only able to shoot in black and white at that time, and it was a pity that they were not able to keep the beautiful colors. ps. Also learned about what a studio in the 1920s was like.
③ Dance in the rain! That kind of carefree, desperate mood is really nice. Sending a loved one home, I just discussed a wonderful plan to be implemented, love and career are beckoning to him, who is proud of him? When you are happy, the rain is not a hindrance, but an addition to the fun. Dancing recklessly and cheerfully in the rain is very sentimental at any time. Quite proud of the spring breeze, young and young. This level of happiness is like in Hirokazu Kore-eda's movie, the child runs on the street when it rains. Romance and beauty that never expires across time and space.
④ Modify and replace the beginning of the paragraph for the singing and dancing knight. Although we still don't know exactly how the male lead described this segment to his producers, there is no denying that he is indeed talented. Incorporating his own personal experience, connecting the changes and development of Broadway singing and dancing styles, and aiming to pursue the original intention and ups and downs of the performing arts circle. In the end, the male protagonist recalled his original intention when he first entered Broadway. The group performers rushed up and sang "Gotta dance". He was surrounded by the center of the crowd, and then a push camera gradually zoomed in close-up. This scene looks visually. It seems that the surrounding people are gradually shrinking, blurring into the background board. I think it's handled well here. The exaggerated camera language conveys the emotions of the characters very simply and accurately.
⑤ End. The two kissed in front of a billboard promoting the new movie. Matryoshka ending. But quite interesting.
In the transition from the era of silent films to the era of sound films, Tang has successfully transformed and embraced the trend. Norma of Sunset Boulevard lives in the past. With the change of new technologies, some people catch the ride, and some people are abandoned by the trend. Don and Norma, like two sides of a mirror, reflected each other.
I've watched several movies from the 50's recently. From the comedy point of view, the actors' performances seem to be exaggerated, but within the range that is acceptable or even taken for granted. It's not that the acting skills of the former actors are necessarily better than the current actors, but the times have passed and the way of acting has also changed. Now the more respected way of performance is calm, showing the emotional changes of the characters with details. I think this is also inseparable from the advancement of photography technology. In the past, the shooting equipment was relatively simple, and the layout of the camera could not be as free as it is now, and the cumbersome machines were easy to wear. Films are often shot with medium and close-up shots. It's good to be able to capture the actor's demeanor and overall movement. In a relatively fixed scene, the actor's performance is only slightly exaggerated to attract the audience's attention. But now it is different. Now there are all kinds of close-ups at every turn. An actor can play three or four camera positions from start to finish, and he is better at capturing details. Therefore, the actor's performance has also changed from exaggerated to introverted, more like ordinary people in daily life, and strives to be close to the role and grounded. Besides, the quality of acting is a subjective feeling, and different people will still have different feelings. But something that can be measured, like a solid foundation in singing and dancing, is a matter of effort and talent.
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