All three stories have love, all dogs, and all about children.
In one crash, three stories are entangled. Some are running for their lives, some are romantic, and some are murdering. "Goofy" in the pool of blood, "Mickey" under the floor, those "children" of the homeless. Love is a son of a bitch, love is not trustworthy. For Octava, love is taking his sister-in-law and flying away, and for supermodel Valyria, love is having Daniel and "Mickey" by your side. Along with his stray dog, Zivett watches over the daughter of someone else's mistress and an occasional killer.
All three stories are about dogs. The invincible Goofy, the weak Mickey, the beggar-like stray dog. Every dog has the same fate as his owner. Octava was fascinated by his sister-in-law Suzanne, just like the bulldog "Goofy" who was addicted to the fighting game and couldn't extricate himself. Even if he was shot, he could recover and continue to kill. "Mickey" and his owner are pampered, but they didn't expect life to take a sharp turn like throwing a small ball. Just like the cluttered floor after the amputation and discharge from the hospital, the two-person world that was thought to be very romantic is actually only a superficial scenery, and the depths behind it are like the group of mice under the floor, which exists all the time, and you can't do anything about it. Originally, Zivert was a killer. He quit his university teaching job to join the guerrilla army, and then he became a homeless killer, like a few stray dogs around him. No one cares what you do, not even your own daughter.
The three stories are connected by a car accident. Love is really a son of a bitch. There is strong anger and irony in each story. The director may also be stimulated by some kind of love.
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