The three stories that are relatively independent but intertwined in details are combined with a large number of dialogues, and the soundtrack appears tense and depressing. In fact, the second story is not so boring, but I think this story is very relevant. The seemingly beautiful and sweet cohabitation life began to break from the hole in the floor, and contradictions gradually emerged in life. Ritchie was like a fuse, the beginning of disagreement and a vehicle for venting anger. If Daniel can take the initiative to rescue Richie, think about what will happen to the lost Valyria? What if Valyria didn't speak up? I don't think the result will change anything. The ringing of the phone disintegrated Daniel's family, and of course his love with Valyria. Those secretly bred contradictions are like Richie who can't always be found, and thousands of mice who are always hiding in the dark and waiting for an opportunity. In the end, a former lover will angrily hit the floor of love with a sharp hammer, leaving holes that cannot be repaired. The beginning of love is always vigorous, like a huge poster hanging on the wall, dazzling and dazzling, and the end of love is as lonely as the enchant being torn down by the workers. All three stories are great, but the second one shows most of what love looks like.
While watching this film, I often feel a surge of anger in my heart. For the characters in the movie, I always feel "can't hate". When I saw a quarter of the film, I found that I no longer harbored the idea of "disgust", replaced by the dissatisfaction of "mourning the misfortune, angering it without fighting" and the calmness of "what you lose is what you get". If all the characters are to be viewed with a secular moral eye, no one will be spared. It is precisely because of the "imperfection" of the character that this anger is raging, but there is nowhere to vent it. We don't necessarily become the same people as movie characters, but we look like them when we face love. Through the screen, through this twisted mirror, we want to punch and smack at this self. But if you don't lose it, how can you talk about it? "What you lose is what you get" can be understood as the rebirth brought about by frustrated love, or it can be understood as the doubt and unease brought about by love. Amino and Octava's mother can only be saddened to face a broken family where the eldest son died and the younger son adores his sister-in-law. Susannah is greedy for Amino's few warmth, and Octava will also wonder if he temporarily Really owned Susannah. Daniel will wander between the two sides of love, and Valyria will be saddened by her lover who is no longer passionate. Martin regrets abandoning his family when he was young. And whether it can get out of the "heavy" love is an unsolved proposition. The mother remained silent at the funeral, Octava was still trying to persuade Susanna to go with him before leaving, Daniel and Valyria looked silently at the outer wall of the house, which was as empty as their relationship. Martin still didn't have the courage to meet his daughter as a father.
As described in "her", "Love is something only a madman can do." When we face love, we have another look. Love can make people as fragile as thin paper, or as strong as a rock. In the face of love, we can be sweet and happy, or vulnerable and sad, or angry, unbearable, and crazy. When we are in love, our faces are more diverse than a hundred flowers. Love can be relaxing and comforting, it can be oppressive and dull, or it can be bleak and silent. For love, human beings are always unable to stop, but they cannot get rid of the ending that is trapped by it.
Then the phrase "love is a bitch" is really apt.
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