The protagonist ran out of the base with his teammates who did not know the truth, and faced a desert in the dark night. My feeling about this place is what the fuck?! I don't even know what you're panicking about, just ran out like this? (I don't think WICK will kill them here, after all, they are the antidote! Of course, the green hills are left without worrying about no firewood. As for draining one, is it one? It must be sustainable). The protagonist looks like a frightened rabbit. He doesn't think about his actions and runs away if he hears people want to use them for experiments. Have you ever thought that running out of the harsh environment will kill them? Where did the wisdom and calmness in the first part go? (Okay, the screenwriter told you that you can’t die)
Then I ran into a zombie, ran all the way without a brain, plus the screenwriter’s assist, but unfortunately a teammate died, and then came to a small base of Jorge Jorge, and it was reported, WICK The people came to catch the protagonists and go back to do the experiment, and then Jorge took the protagonists and ran away. The funny thing is that Brenda ran back to get things at a critical moment. Do I have any brains, Jorge is so long in advance with you Said to organize things, what to bring, bring you, what's the trouble? Forcibly add drama? Then happily took the protagonist behind.
A more mindless plot appeared. The protagonist and Brenda tried to find an exit through the sewers. Brenda, who was dying, found a terrible vegetation covered with zombies. Something that puzzled me happened: the two of them didn't have a trace to evacuate. I mean, I have to stare at the zombies and take a flashlight at them, I'm not sick or something normal, okay? Then he was chased and killed by the zombies happily, and then ran away without a brain, and then Brenda was bitten and killed. I really want to give Brenda a shot and go to the shit so that I don't become a zombie. worthy of her curiosity.
In the end, the protagonist and his party arrived at the "right arm". I was a wild team. After so long, it was said that it was against WICK. I thought it was a big base. The important plot is coming, the heroine Teresa expressed her position on the cliff, "For the sake of mankind, we should dedicate ourselves to develop antidote, not to escape" (this is what it means in general), so WICK's plane With the reporting information of the heroine, several shells were directly suppressed by force. Soldiers who got off the plane rounded up the protagonist and a group of people. Who knew that the protagonist even took a self-made C4 and threatened to bombard his group. The BOSS was terrified. I don't understand this, I would rather blow up myself to death like this worthless than donate my blood to develop an antidote to save the common people? Where has the heroism of American movies gone? Why do I see the selfishness and fear of the protagonist and his party? I cannot accept this. In the melee, when Janson beat the protagonist and said "What a waste" with a gun to his head, I was really annoyed with the protagonist. I really hope that this shot will kill the protagonist, this rambunctious little boy! Of course, the screenwriter once again saved the protagonist. Going back with WICK will have so many casualties?
Finally for this movie: even though the purpose of the BOSS experiment may not be to create an antidote, it may be a huge conspiracy. But the protagonist and his party don't know if there is any fraud, all they know is that they are going to be hanged and then blood drawn. This series of farce is just created out of self-protection and fear of being hurt, isn't it? Are those passers-by who sacrificed on the escape route worthless? Carry out the escape of the entire movie just by his own selfish desires? How ignorant and fragile is the spiritual thread of this film?
At the end of the film, the protagonist threatened to save Minho, which completely broke my impression of the protagonist, ignorant, brainless, selfish, and childish! This is simply the character of the protagonist, look around, what do you do the protagonist to prop up your confidence to save Mino and kill the boss? How dare you act like that? Are nonsense rhetoric the clue to prop up the third installment?
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