the old movie "Sea Pianist" wants to express a lot, every time I am moved, and every time I am also brought into doubt.
I followed him all and hid in the boat, afraid of this endless world. I have discovered that God did not exile him to land like Cain, but no longer gave him a window and a door easily, packed him with the best talent, and put him on the big ship of wishing bottles. , Floating in the ocean, no end, but always close to the sun.
God's wisdom always speaks silently. He condensed all the fears and purest thoughts of mankind on the orphan of 1900. He is like a mirror, and everyone can see himself from him, the most fragile and most gifted in the world.
I remember the last scene, 1900 and Kang were sitting in a hulk talking. He told all his confusion, a classic long confession, and narrated his panic about the unknown world. He said that the outside world is a piano with countless keys, only God can play, but he can't. As he said, Kang burst into tears and even cried. This scene touched me very much, as if two people from different worlds were talking, one inside and the other outside. The people inside talked about all the fortifications in life to make him afraid, but those who have broken through from outside can only It was a sad response of tacit approval.
They all know that this world is like that, but there are still people who want to go outside.
So if I choose to stay in place, please don't say that I am weak or a tendon.
Not everyone is talented in playing the rules of life.
So don’t arbitrarily judge whether 1900 in this movie is cowardly or a muscle, too hypocritical dramatization or sexual and urban conscious resistance. He does not belong to any kind of life. He is hidden by God and is hidden by the ocean. Custody, by a delicate and passionate director, used drama to cover all of him one by one. Therefore, his fear and delay and his tragic ending are all resistance from the period of human innocence and talent.
He is not suitable for any kind of future.
Please don't blame it, and acquiesce in the sense of accommodation in this world.
[2], the crisis, the secret of overlapping four sounds.
1900 met the girl outside the window, he moved sideways, his eyes grasping the touch of emotion from the land.
1900 assumed the scene of a dialogue and wanted to give her a burned disc. The songs in it were improvised and sentimental.
I couldn't sleep at night in 1900, with my face stuck to the keyboard, my fingers repeated four tones, back and forth, as if confused and unable to be born.
1900 was neatly dressed, shuttled in the cabin of the cabin, looking for the familiar face in the nightmare of so many nights.
1900 kissed her like a thief.
1900 landed in love in this inexorable sea.
This emotional arrangement has few scenes, the girl is not a stunner, the foreshadowing is too long, there are not too many mentions, there is no tears, and it loses the meaning of the following. This may be its fascinating place, without the heart-piercing vigor of the Titanic, embezzling the Chinese-style wandering tenderness and three-point obscurity, so that they never end and never start.
In fact, the original sound of "the crisis" in this movie brought me down, and it rang in the scene of looking for the sleeping girl in the middle of the night in 1900. The main melody has only 4 notes. If you listen carefully, you will find that the third note is not any key on the piano, but two adjacent notes. This kind of repetition, this kind of overlap, this kind of fine and dense, this kind of in the middle of the night, shuttled through the mold of the universe, through different dreams and faces, looking for her thousands of times.
Repeat this song over and over, and you will hear the secret that they are silent.
On the non-stop road and in the night, such repeated changes meant wandering, confused, nostalgic, and later they were not together.
[3],
I will neither watch nor give up on the world that I can't enter.
So, let me just look at you for a long time.
Year after year, until the end of the song, people disperse.
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