Many critics considered the film a victory for "feminists". My feeling is this: This is just a popcorn action comedy full of dirty jokes and snarky jokes, just in time for the feminist awakening, and it's becoming so-called "political correctness" and that's it. The story mode still uses the traditional special agent film routine, the difference is that this time a short and fat middle-aged aunt with poisonous tongue in her forties is the hero who saves the world. At first, the male agent Jude Law and the heroine completed the task perfectly as partners. Then Jude Law was "killed" by the female villain. The heroine turned grief into strength, walked from behind the scenes to the front, and embarked on the road of revenge and saving the world. I have to say that Jude Law is really a very malleable actor. He can not only star in literary films such as "Cold Mountain", but also in commercial films such as "Female Spy" (although he is only responsible for being handsome in this play). So far, it is still a serious and tense action blockbuster style. At first, I thought that the film was based on the action scenes of Jude Law and Jason. It was not until the second male agent played by Jason Statham appeared that the film switched to a funny comedy. routine. Jason changed his image of a tough guy in other movies and turned into a "strong mouth king". Hu Tianhaidi's fancy pretending has become the funny responsibility of this film. I always feel that Jason and Bruce Willis are fans of similarities, maybe two. Everyone is the famous bald head among action stars. On the way of the heroine's revenge, Jason played the role of a gag. The two quarreled and fell in love with each other. If there was no Jude Law, I thought that the two would become happy enemies. It was not until the end of the Easter egg that the real relationship between the two was revealed. Throughout the film, Jason said countless lines beginning with F on various occasions, and the five-minute trash-talking scene with the heroine at the Roman reception became one of the few highlights and highlights of the film. If Quentin has seen the film, I believe he has another heroine in his next new play.
The film's portrayal of various supporting roles is also impressive: a showman with a penchant for exhibitionism (the uncut version is very pornographic and violent), a partner and best friend who is more talkative than the heroine, and a bohemian Rome" The "Old Driver" logistics agent, the big American rapper "50 Cents" joined in love, and there are all kinds of female villains with big breasts, no brains, good looks and height. It is said that the villains in the play are all big beauties, is it to contrast the outstanding temperament of the protagonist's "good-looking skins are the same, and interesting souls are one in a thousand"? If you can choose, give me another dozen of such beautiful skins. The ending is naturally the heroine's successful counter-attack. From being looked down on as a waste of logistics, to finding a nuclear bomb to relieve the crisis and making the male god look at him with admiration, the standard is not finished until the end of the sequel. Although there are female villains who fall in love with killing their father and enemy, and catch the heroine who has no use value, they don't kill them immediately, but lock them up and wait for the heroine to come back. But if you are a lover of "shit and piss" comedy and like Jude Law's prosperous beauty, I believe this film will still accompany you to spend a wonderful time
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