Life is a metaphor. The film is the best interpretation of the metaphor. The heroine (which one?) takes life in the story, just as she finds eternity in her fantasies, and her ancient secrets. It's a game, obviously, but everyone (well, all men) plays high, doesn't it? If you enjoy this movie with the mentality of the game, instead of looking for meaning, you will be much happier. Next, speak with concise, clear, and deconstructed (what!) ideas. The text in the opening and closing credits is wonderful as metaphorical text, even though everyone says they don't know what it's talking about. "In the end, we know whose story it is about, but we still don't know what's it all about." Wonderful. Before the first dance, the words of encouragement from the female instructor (...or, call her a madam?) work directly on the girl who is prone to hypnotic cues. You are strong enough. You have all the weapons you need. Don't be afraid. Now fight. Later, when he was threatened by the anti-No. 1 actor and shot his companion, the old man said I'm protecting them from you. Is the male protagonist evil incarnate? An invincible devil? Damn boss? Freedom is mentioned many times in the film. At one point, everyone firmly believed that escape from the madhouse/brothel/dance is freedom. Yeah? Who is mad and who is awake? Is it a lunatic asylum/brothel/dance or life to escape? Imagine the scene is a lunatic asylum. Obvious, all the girls seem to be sane, tormented by evil people, and escape becomes justified. Imagine this is a brothel. Some people are submissive, and some are better off dead than others. Some people give up on themselves, and some people try to survive. Some are happy and dissolute, some are timid and cowardly. Some people fall asleep with swords and courage, others dream of love and the fragrance of roses. Imagine that this is the dance floor, since the dressing room is the main venue for the heroines' activities (the key props are also hidden here.) The credits at the end of the film also hint at the role of the dance floor here. (The curtain of Warner Bros. opened at the beginning (it is said that as long as the logo of Warner Bros. does not appear normally, the logic of a good movie must be tried and tested!), when I first entered the mental hospital, I said let's go to the theater.) For the girls , the dance floor is a place of work, you have no way to escape and complain, and all of us, all working people, have the right to leave work/resign, escape, and enjoy freedom. isn't it? Ah. For the audience, the dance floor is a place to escape from reality, people come here to watch the dance, appreciate the beauty, and watch the reflection of reality in the water. The male protagonist/boss/property owner inevitably plays the negative role of the manager and is the target that all employees want to kill. escape, and then what? Escape into life, or escape? Where is that door going out? is freedom? abjection? exile? Think of the door at the end of the ocean in The Truman World. The doll of God crossed the Red Sea of suffering, came out of Egypt, and opened the door at the end of the sky and the sea. and then? Closing. Thank you and have a good night. What about the opening and closing text? I listened to it again, and transcribed it below Beginning: (The introduction is pure dictation!!!) Everyone has an angel, a guardian who watches over us. We can't know what form they will take. One day old man. Next day , little girl. But don't let their appearances fool you. They can be as fierce as any dragon. Yet they are not here to fight our battles, but to whisper from our heart, reminding that it's us, it's everyone of us who holds the power of the worlds we created. Note: Your Guardian Angel. old man, little girl. They are stronger than dragons, but this is your battle. in this world we created. Ending: By the way, the officer speaks English really well. . . . Have a nice trip or something (heard it again, sorry about the inconvenience Miss, you have yourself a nice trip now.). . A non-native speaker can't describe that feeling at all. . . Girl: I don't have a ticket. Old man: I know, it's ok. Go find a seat in the back, try and get some sleep. We get a long way to go. Girl: Thank you. Note: I put It is also written here. Life is a journey, isn't it? But lonely we did not get the ticket. Try taking a break, honey, it's okay. We still have a long way to go. When the girl saw the old man, she had already arrived home. Is it right? After all, she's been a joy in the entire journey ("Source Code": Tell him everything is going to be fine. It sounds so warm...and also, that old man's "Oh, In my opinion the best part of the whole film. Far better than the black silk school uniform katana student girl and thighs. Those are just metaphors. This passage is true. Cross the sea of black stockings, false eyelashes, lace, and high heels, and you can only see the truth through hue. What does monster mean? Is the story true? Or are you laughing at the mental retardation of my screenwriter? Who binds us? Who has the keys to set us free? It's you, babe. . . I really don't want to say. All right. This is an inspirational film. Other. The music is gorgeous. Extremely modern/electronic, Bjork's voice is extremely soul-piercing (that's a cliché description). The first time the instructor said now fight, Björk came out. At the end of the now fight, Bjork comes out again. Bjork is the feminist awakening/insanity spokesperson (sorry). By the way, I recommend "Dance in the dark", starring Bjork. She follows her own hallucinations and dances to imaginary music throughout the film. Sounds familiar. Ha ha. But that movie was a tragedy, don't blame me for not reminding you. Several battle scenes are beautiful. The first level is the Japanese temple with swords/spiritual power and the gate that everyone knows from watching Japanese anime (too lazy to go to Baidu...). The Gothic church with the map in the second pass is a complete imitation of Notre Dame de Paris. It hurts my heart to see the rose window shattered in half. . . The European battlefield of World War II was fought in Paris, haha, I am happy when I think of it. The third pass is to make fire, a medieval castle and a modern plane have to kill the dragon, enough yy. The last level to remove the bomb, um. War Robots. yeah. The battle from start to finish didn't kill a single "person", it was all machines and inexplicable things. Feminists don't kill people? Is this all a metaphor for a game? During the fight, the martial arts instruction is average, and the jumping of the bottomless pants is not aesthetic. (The best fight is the final fantasy movie version (which one?that one...) Tifa's church...) It's hard to Browning, singing, playing a bitch, and being able to fight . All right. Five points for this movie. That's all. I gave "Magic Woman" five out of five, and it's not even five. Goodbye and have a nice trip. ) That scene at Tifa's church. . . ) It's hard for Browning, to sing again, to play a bitch (sorry) and to be able to play. All right. Five points for this movie. That's all. I gave "Magic Woman" five out of five, and it's not even five. Goodbye and have a nice trip. ) That scene at Tifa's church. . . ) It's hard for Browning, to sing again, to play a bitch (sorry) and to be able to play. All right. Five points for this movie. That's all. I gave "Magic Woman" five out of five, and it's not even five. Goodbye and have a nice trip.
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