Zack Snyder may be a master storyteller, but he is definitely not a master storyteller. If it were M. Knight Shyamalan, the film might turn into a very good suspense film. His subordinates, the film continues the style of his previous works, with both the gloomy and gloomy "Watchmen" and the tragic "Spartan 300 Warriors". Taken together, the film has changed its flavor. In the lunatic asylum, the heroine dances to imply that she and her companions are martial arts masters with stunts. She shoots zombies and robots with machine guns. It's all about the "Red Detachment of Women" and the audience discussing the heroism spawned by the fearless spirit, but it is reasonable, these fantasies seem to be illogical in a cold environment, calling it a lousy film, and the ending has to give you some whole The big reason to perfunctory the audience, as a result, it really turned into a bad movie.
There are many kinds of bad films, one is a bad story, and the other is a bad actor. Fortunately, this film has achieved the realm of both bad films. The story inserts the heroine's fantasy into a simple linear structure, and becomes a movie with only meanings. Kinky, meaningless stream-of-consciousness movies, and in the interlacing of fantasy and reality, the characters are gradually weakened. The fantasy of the heroine seems to be always energetic, cowardly, naive, and disdainful. After the big hero, as the story gets closer and the characters' weaknesses are exposed, do you realize that these people are a group of unrealistic girls who take risks for freedom and life? After those lustful thoughts, this group of loli looked like a group of middle school students who had not grown up, meeting to challenge school rules and regulations.
As for the director's choice of actors, it is really surprising. Putting aside Emily Browning's mediocre beauty, Vanessa Hudgens is beautiful, but under the strength of the other four actors, she has become a A complete soy sauce bottle, a revolution requires sacrifice, and a revolution requires people to be shaken. Vanessa Hudgens has become a whistleblower this time. The problem is that this whistleblower can't be regarded as too suspenseful or a superb whistleblower behavior. Vanessa Hudgens just cried helplessly. This scene is obviously redundant. As for the reason, it must be to increase her role in the scene, so as not to die in the end.
Besides Emily Browning, if this role is replaced by Kristen Stewart or Amanda Seyfried, it will definitely be eye-catching, or if it is replaced by Mia Wasikowska, it will definitely be better than Browning, In the movie, Browning becomes a girl who can only be obsessed. In reality, he is an idealist, and in fantasy, he becomes a hero. This character will make people feel disgusted in the end. The only thing is to escape from the madhouse. Of course, this is not an excessive thing. It is just the subjective idea of the film and the excessive description of Emily Browning, which subconsciously turns her into a hero, whether it is fantasy or reality, Her dominance dominates the "if it's free" idea.
The film has some similarities with "Inception", but it is not as good as "Inception" in terms of narrative style, storyline and spiritual level, but the visual effects and action design can be compared to "Inception". . In the action scenes, Schneider adhered to the shooting method of "Spartan 300 Warriors". The high-speed shots made the visual effect excellent. With the rock soundtrack, the movie was also very dynamic, rather like an MV.
What Lori's violent version of "One Flew Over the Cuckoo's Nest", what a machine gun version of "Alice in Wonderland", of course not, and you are in a drowsy atmosphere to talk about something free, dignified, and finally, one thing is certain, It uses a group of Americans to package a lustful version of "The Red Detachment of Women". The reason why it can be introduced without cutting is that it is in line with the national conditions: to be a hero, die first. This is China's favorite heroism.
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