precisely because of this relationship that the degree of preference for this kind of film even exceeds the Asian ghost film
The Haunting in The same is true for Connecticut. It
reminds me of The Skeleton Key back then. It also involves something similar to the Southern Black Witchcraft Soul Exchange Ceremony, etc. Then
again, the architecture and design of The Haunting in Connecticut, including the ending and characterization, are relatively in place. these do not want to go into detail even
care about the three points down or in
a so-called enhanced spiritual power cut eyelid corpse to let others see no such magic ghost
of the two so-called "spiritual quality" such a thing
The third one is purely personal. It turns out that the Western haunts really have too many religious connections and they are definitely combined with Christianity. When the haunts appear, the real world will change. The world where the ghosts dominate, and all the real world scenes will be transformed. The existence of flames and hells reminds me of the classic surface world and inner world theory in "Silent Hill" that year.
Overall,
the tone and foothold of this film is still a more realistic so-called based on real events. winning enough gimmick or
whether it is true or false looks good but also not too much means of expression
to four weeks is enough
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