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Lionel Essrog: There's something going down, and it's big, and they were not happy about what he found.
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Lionel Essrog: Tits on a Tuesday!
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Lionel Essrog: Giant faggot munchkin meat!
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Lionel Essrog: [about Laura] Kiss her face all night long, Bailey!
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Lionel Essrog: Fuckin' mess is right. The nun said my soul wasn't at peace with God and I should do penance. Frank said anyone teaching God's love while they hit you with a stick should be ignored on every subject.
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Lionel Essrog: Here lies Frank Minna. Cool as can be. They'll carve that on his fuckin' tombstone.
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Danny Fantl: I had a sergeant once in the Bulge. Told me, "Sometimes you do everything you're supposed to, and it all still goes to shit."
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Paul: Emerson said that "an institution is the lengthened shadow of one man."
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Paul: Satisfaction won't unburden a tortured heart.
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Lionel Essrog: But there's no upside in lyin' to a woman who's smarter than you, so, I told her the truth.
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Lionel Essrog: Frank told me once, if you're up against someone bigger than you, someone you can't beat toe to toe, make 'em think you respect their size, and then cut a deal that lets you walk out in one piece. Then figure out a way to stick it to 'em later without leaving your prints on the knife.
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[first lines]
Lionel Essrog: [narrating] Frank always used to say, "Tell your story walkin', pal." He was more philosophical than your average gumshoe, but he liked to do his talkin' on the move, so here's how it all went down. I got somethin' wrong with my head. That's the first thing to know.
Lionel Essrog: [real life] If!
Lionel Essrog: [narrating] It's like having glass in the brain. I can't stop pickin' things apart... twistin' 'em around, reassembling 'em. Words and sounds, especially. It's like an itch that has to be scratched.
Gilbert Coney: [about a sweater snag] Quit pullin' at it! You're gonna make a fuckin' mess out of things.
Lionel Essrog: [real life] I got threads in my heads. I got threads in my heads! I got threads in my heads, man!
Lionel Essrog: [narrating] And I twitch a lot. It's hard to miss. It makes me look like a goddamn spastic, but if I try to hold it back, it just makes it worse.
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Frank Minna: [grimacing] Got through Guadalcanal without a scratch, and I get shot with my own gun - in Queens!
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[last lines]
Lionel Essrog: [sitting together on their new porch] "Brooklyn's big... Brooklyn's big, but there's things even bigger."
Laura Rose: What's that?
Lionel Essrog: I think it's something Frank said to me, but I. I can't remember when.
Laura Rose: Maybe this is what he meant.
Lionel Essrog: [twitching again] If! If!
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Moses Randolph: Power is feeling, knowing, that you can do whatever you want, and not one fuckin' person can stop you.
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Trumpet Man: [bludgeoning Lou] Fucker ruined my best trumpet
Trumpet Man: [on Lionel's disability] It's another way of calling it a brain affliction
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Lionel Essrog: [on his disability] Nuns thought they could beat it out of me... one in particular, that was until Frank snatched the yard stick away from her and threatened to hit her twice as hard
Motherless Brooklyn Quotes
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Samson 2022-03-22 09:02:07
The texture is very nice. But in terms of the plot, this story is a bit cloudy, could it be that this is the price of my inattentiveness when watching the movie? ?”Fiction-style movies, you can feel the division of paragraphs and paragraphs, a sense of the whole that belongs to the novel, not the movie.
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Johnnie 2021-12-23 08:01:33
I think it’s hard for me not to think about the clown...especially since these two are on TIFF. On the surface, Brooklyn’s plot can actually match many people’s speculations about the clowns. Not to mention that Gotham’s prototype is New York. The sick male protagonist, the black female protagonist, and the big chaebol, these two It's hard not to associate it together. This film is great in restoring New York in the 1950s and 1960s, but as a detective film, the plot is too flat and straightforward and there is no suspense, so I think Brooklyn is also the leading male lead, the spotlight is on Norton, 144 minutes is also a test People's patience for actors' performances.
