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Woody Blake: You're just not man enough to wear jewelry.
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Jim McConnell: There's pressure in here.
Terri Fisher: Above Mars atmospheric? That's impossible.
Jim McConnell: We're millions of miles from Earth inside a giant white face. What's impossible?
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Terri Fisher: The genetic difference between men and apes is only three percent. But that three percent gave us Einstein, Mozart...
Phil Ohlmyer: ...Jack The Ripper.
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Luke Graham: Phil, do you read me?
Phil Ohlmyer: Phil isn't here right now, he left for Earth FIVE MINUTES AGO, please leave a message after the beep!
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Terri Fisher: When we get back, we have GOT to try this in the simulator...
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Jim McConnell: They're us. We're them.
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Jim McConnell: What is she now?
Phil Ohlmyer: A frog...?
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Woody Blake: Some couples dance, others go to Mars.
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[Leaving the BBQ in his 1959 Corvette]
Woody Blake: Internal combustion, boys. Accept no substitutes.
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Luke Graham: Come on - three commanders. One ship. I don't think that's gonna work. There's not enough rocket fuel in the world to get those egos off the ground.
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Woody Blake: Okay, people let's look sharp now. We're gonna run this simulation one more time. If we overshoot, there's no coming back.
Phil Ohlmyer: Yeah, and drifting through eternity will ruin your whole day.
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Jim McConnell: Like Maggie said: To stand on a new world and look beyond it to the next one.
Mission to Mars Quotes
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Leopold 2022-03-28 09:01:05
The story is good, the script is third-rate, and the first banquet to explain the characters shows timidity (through large lines of lines explaining each character's past experiences and future plans, treating the audience as mentally retarded, and feeding the information to the mouth is the lowest level of screenwriting. In the film The banquet is not just a place to gather all the main characters, but to give the director an opportunity to manage the relationship between the characters through dexterity, for the audience donner un clin d'oeil everything is silent). There are a lot of waste plays, several emotional logic collapsed, the main theme is strong, and the script has brought the story to a lower level. In addition, there are hot comments in a sarcastic tone that "if the film is made more obscure, many people will give high marks", but this is indeed the main regret of the film. DePalma is such an excellent author of a genre film, it is best not to touch these big space film productions, he is still suitable for dealing with more violent and metaphysical things, and metaphysical themes have metaphysical authors (I can't help but imagine that Kubrick will what to do with the ending); can't give Soderbergh's Solaris a high score just because Tarkovsky didn't make it. It must be admitted that some things lose most of their charm when they are embodied.
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Tamara 2022-03-26 09:01:07
A / A nervous air that is difficult to grasp like a magnetic field disturbance. Rather than being neatly connected, the individual passages are more collided and welded by a number of accidental events. In this way of assembling, disparate narrative tones (witty, thrilling, solemn or sacred) are intertwined and closely intertwined, so as to maintain a provocative distance from the popular genre narrative mode, but also touch many A bizarre leap and communion between extreme emotions. The centrifugal force that has seized the core characters and is constantly trying to get out of the orbit has completely completed the excavation and presentation of itself in the grotesque mutation of evolutionary logic-the narrator "Palma" once again The stories under his lens come together as one.
