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Laura Baxter: One of your children has posed a curious question: if the world is round, why is a frozen lake flat?
John Baxter: That's a good question.
Laura Baxter: [flipping through book] Ah, here it says that Lake Ontario curves more than 3 degrees from its Eastern end to its Western end. So frozen water really isn't flat.
John Baxter: Nothing is what it seems.
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Inspector Longhi: The skill of police artists is to make the living appear dead.
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Heather: Fetch him back! Let him not go!
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Laura Baxter: This one who's blind. She's the one that can see.
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John Baxter: Christine is dead. She is dead! Dead! Dead! Dead! Dead! Dead!
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Bishop Barbarrigo: [while passing by a dilapidated church] The churches belong to God, but he doesn't seem to care about them.
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Heather: One of the things I love about Venice, is that it's so safe for me to walk.
John Baxter: Steps.
Heather: Thank you... The sound changes, you see, as you come to a canal. And the echoes from the walls are so clear... My sister hates it.
John Baxter: That's too bad.
Heather: She says it's like a city in aspic, wrapped over from a dinner party, where all the guests are dead or gone.
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Laura Baxter: Your bishop makes me feel strange.
John Baxter: I imagine he makes God feel less than immaculate.
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Inspector Longhi: Age makes women grow to look more like each other. Don't you find that? Old men decay and each becomes quite distinct. Women seem to converge, eh?
Don't Look Now Quotes
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Evans 2022-03-26 09:01:07
The blood-red raincoat, the majestic and dilapidated church, the blind woman who can predict the future, the constant flashes of the hero's imagination and the irresistible fate. A formalistic horror film that brings together elements of various genres, and the director is superb. It's in Venice again, and it's a trip of no return. How many more stories of such beauty and danger coexist?
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Burnice 2022-04-24 07:01:14
Lots of mystery and slow rhythm. The footage and editing are good. The streets and alleys of Venice, and the desolate ancient buildings give people a gloomy look. The suspense is dragged to the end. The big face of the blind woman and the ugly face of the old dwarf are scary enough, and the wife is holding the urn with chills. The "large-scale" sex scene in the 1970s, stripping and having sex and getting dressed and going out was cut into a superb parallel montage
