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Max: Ever go to the Silhouette?
Horst: Yes.
Max: I never saw you there.
Horst: You weren't looking.
Max: Greta's Club?
Horst: No.
Max: Good, you had taste. The White Mouse?
Horst: Sometimes.
Max: I'm surprised you never saw me there. Did you sunbathe?
Horst: I love to sunbathe.
Max: In the nude?
Horst: Of course.
Max: By the river?
Horst: That's right.
Max: And you never saw me?
Horst: Well, actually I did. I saw you by the river. You were making a fool of yourself, and I said, someday I'll be in Dachau with that man moving rocks.
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Max: I love you... What's wrong with that?
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Gestapo man: Here you will work here.
Horst: Yes sir.
Gestapo man: He'll explain.
Horst: Yes sir.
Gestapo man: I'm watching.
Horst: Yes sir.
Gestapo man: I see everything.
Horst: Yes sir.
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Horst: We had a boy like that in school. Used to lead us in silences.
Max: Ok. I'll explain. Ok. We have to move rocks.
Horst: Yes sir.
Max: You move one rock at a time.
Horst: Yes sir.
Max: You take it over there.
Horst: Yes sir.
Max: When that pile is complete, you take one rock at a time and move it back.
Horst: You move it back? You move rocks from there to there and then from there to back again?
Max: Yes sir.
Bent Quotes
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Jannie 2022-04-23 07:04:11
I really liked the part of the mental intercourse. The protagonist wore a pink inverted triangle prison uniform at the end, which reminded me of the two shirts wrapped around each other in Brokeback Mountain. I just don't like the tone of the whole movie.
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Sid 2022-04-22 07:01:49
Dramatic stage style, the opening scene is a monster. All you're looking for are soy sauce flashes. The expressive part of language sex is amazing, but the whole is still too stage play. Don't love me, everyone who loves me is dead.
