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Cheyanne 2022-01-12 08:01:12
Old man and dog's tear-gas collocation
Compared to the pregnant Maria who was at a loss for the future but was not particularly afraid of it, every desperate look in Umberto's eyes was especially heart-wrenching. This decent and helpless old man hesitated time and time again, couldn't speak again, and couldn't help crying when the dog...
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Betty 2022-01-12 08:01:12
Bazin's Comment on "Umberto D"
First of all, it discards all references to traditional movie viewing.
If we only consider the theme of the film, we can attribute it to the appearance of a populist melodrama with social intentions, a defense of the middle-class situation: a retired old man trapped in poverty because there is no...
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Kale 2022-03-24 09:03:00
http://www.tudou.com/programs/view/sxWcMESZ_e0/
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Isadore 2022-03-20 09:02:23
Is the lens language of neo-realism complicated? I am afraid it is not, but until today, the audience can have such a deep emotional experience, in the final analysis, it can capture and create the most full of emotional passages, and make every detail be implemented in the character's psychology. In a sense, it is also the peak of "psychologicalism" in movies.
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[repeated line]
Umberto Domenico Ferrari: Flike!
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Maria, la servetta: What's the matter, Mr. Umberto?
Umberto Domenico Ferrari: I'm tired.
Maria, la servetta: Of her?
Umberto Domenico Ferrari: it's a little of everything.