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Gretchen 2022-01-23 08:08:07
Thought it was a party, in fact everyone was waiting for him to die, and finally ended.
Because of my personal opinion, I think the role of Team Liu has other meanings in the performance of the movie, so I typed my opinion. I didn’t expect many people to digress. I don’t want to digress, nor do I want to lead to a good actor like Liao Fan. What was being discussed was an irrelevant...
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Tate 2022-01-23 08:08:07
Winning style
As early as the beginning of the film’s project, Diao Yinan, who once shot the aspiring Golden Bear’s "Fireworks in the Day", emphasized that one of the sources of inspiration was Nicholas Winding Refn’s "Desperate Driving", which happened to be in 2019. It just so happened that both at the Cannes...
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Demario 2022-03-19 09:01:09
7 points, the style is very outstanding, Chinese movies are quite rare. To some extent, this is actually an echo of "Fireworks in the Day", or, in this way, compensation for Gui Lunmei in "Fireworks in the Day". The image is more stylized, and it is also the most challenging part of the audience. The light and shadow are film-noir style, very artificial lighting, various uses of shadows, and a city covered by shadows. I have considered that Hu Ge and Liao Fan can interchange the roles, but it is better because Hu Ge's role in this role will make the audience's feelings for this role more complicated, rather than a binary opposition between good and bad. At the same time, take advantage of the escape of the character to look around those bizarre
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Ericka 2022-03-19 09:01:09
#72nd Cannes# continues the discussion of film noir in "Fireworks in the Day" (another seemingly traditional but reverse film noir story, rewriting the image and function of the traditional femme fatale), but the layout is much larger. The scale is amazing, and many places have a strong sense of ridicule. Gui Lunmei "again" played a role with indifferent appearance and rich psychological drama, and his completion was even better than that of "Fireworks in the Day". The design of the space in the Wild Goose Pond area, the extremely stylized use of expressionist mixed colors, is absolutely world-class. The action design and the storyboard are rather special (anti-routine), which is rather blunt, but it also achieves a certain stylized effect, and some violent scenes are very bright. The drama really doesn't follow the genre, and there are still some points that are not easy to understand in the plot. Whether it is the double flashback or the police control of the news broadcast drama, the writing is open to question. It is the genre film with strong author style and violent scenes in the Cannes system.
