The Host

Syble 2022-11-29 09:28:31

I don't know if everyone sits down to watch the movie just like me, rushing to watch horror images and interlocking plots. But reality always hits people hard. But I don't know if it's an obsessive-compulsive disorder if I don't watch it, so you guessed that I watched it from the beginning to the...

Golda 2022-12-03 10:46:43

I saw the monster of the Han River once when I was a child. At that time, I only remembered the disgust of the monster and the bravery of the family. After reading Muyu Shuixin's interpretation, I suddenly realized that there are so many details hidden in it.

South Korea was really poor back then,...

Muhammad 2022-04-24 07:01:07

The homeless who appeared mysteriously, the incendiary bombs and rockets of youth, are too romantic. No matter how pessimistic, look at their history, all struggles will not be in vain, and all sacrifices will be remembered. While watching it, what came to mind the most was not the local incident, but the 1992 Los Angeles defense. Whether it's a spectacle of a genre, or a sarcastic humor, it's all just skin, and bravery is the base color. At every fork in the trail, they took the exact opposite path from ours. It's not that we are bloodless, it's just not enough. A little more, a little more, will history be completely different?

Nigel 2022-04-20 08:01:04

B+ / The metaphorical level of the overall play wants to rely on the memory of murder, but the political and class satire of the helpless and exposed and the excellent depiction of the bottom group portraits comparable to mothers are not as good as Yuzi. Combined with a very stereotypical Korean performance and sensational mode, the first hour or so was a disaster. However, the super five-star control of the third act saved the whole film. The rhythm of several darkest moments and the smooth editing of the camera made me faint... / Second brush: The first time was too metaphorical and straightforward, and all kinds of criticism were trivial ; It's much more interesting to watch Bong Joon-ho manipulate these "straight" tones and make them muddled for the second time. There seems to be the same exploration of language and character state interaction as in Parasite, as well as the leaping assembly of multiple implicit time and space levels (not yet mature). The hesitant arrow on the TV screen finally hit the monster with precision, but who did the Molotov cocktail hit?