The Gleaners & I

Ransom 2022-01-22 08:02:36

I think Varda started with this film. Today I was watching her "Ulysses" again and was shocked again.

Varda's documentary/artistic style is a great French prose poeticism. Starting from some images that have both metaphorical concreteness and historical depth, her film prose poems continue to...

Alexa 2022-04-20 09:02:25

The Gleaners


and I (Agnès Varda, 2000) The Gleaners and I (Agnès Varda, 2000)


was translated as "The Gleaners" in mainland China, which is a very general translation; The translation of The Gleaners is much more accurate. The original title is The Gleaners and I are side by side. This connotation...

Bridie 2022-03-20 09:02:49

All the things brought home, whether people or things, are only because of the new possibilities they bring!!! Looking at the painting under natural light in a mess in the wind is really a god-level moment, and so light and natural, hey. The entry point of Gleaner is really sharp, and the interpretability is too strong; it is also so light and interesting because it was the journey that Varda embarked on. Can you take Varda home?

Christa 2022-04-21 09:03:19

Extending from action to behavior, and magnifying from behavior to phenomenon, the people in the camera never provoke pity, but only respect, they are independent, interesting, and respect value, and Varda did not let himself stand in a high stance of compassion, Instead, she frequently appeared in the camera and participated in the pick-up. The two chairs and the clock without pointers she picked up were the cutest in the audience, right! Naturally, there is a condemnation of excessive consumerism, but more importantly, it presents a way of life and morality that is not constrained by mainstream values.