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Layne 2021-12-08 08:01:44
The conversation——Behind the suspense is the indifference of life
I'm a junior movie fan. I have roughly counted that I have watched about a thousand movies. I thought I had watched a lot of movies. Coppola's Godfather series, especially 1 and 2, I didn't know how many times I watched them. , "Apocalypse Now" will have different thoughts every time I...
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Leo 2022-03-25 09:01:09
first impression presets
It's been two weeks since I watched the movie, and sometimes I think about it unconsciously. I had a collision with Keigo Higashino's work today and found an interesting point.
The dialogue at the beginning of the movie caused us to misunderstand, on the one hand, it was due to the effort to...
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Dorthy 2022-03-24 09:01:52
Coppola wrote and directed, starring Gene Hackman, and won the 1974 Cannes Palme d'Or; three Oscar nominations; the National Federation of Film Critics Award for Best Director. There was also a young Harrison Ford in it, so young at the time...
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Josue 2021-12-08 08:01:44
The ethics of science and technology and the repetition of trust and beliefs that were subverted in the Cold War is not to obtain the truth through piercing but to isolate the truth through hypnosis. The inner world of the individual is because the weak human beings obey the calling structure of the voice of conscience. The omniscient other is an imaginary gaze that plays a role in the stitching of the symbolic order. Object α's gaze, this stitching, is a futile God, perhaps not omnipotent, he is as ignorant and incompetent as Mr Caul, the number one eavesdropper in the world, eavesdropping and voyeurism are alienated, imagined gaze serving a pathological order of others, it tends infinitely The gaze from the real world is scarce, unknowable, everywhere but impossible to be found. It is the reason why the male protagonist plays some kind of jazz elegy alone on the ruins of material and spirit; when eavesdropping on room 773 I think it’s a bold stroke of psychological reality and surrealism mixed with the quarrels that occurred at the time in the recording flash echo.
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Ann: This conversation is over.
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[last lines]
Martin Stett: [on the phone] We know that you know, Mr. Caul. For your own sake, don't get involved any further. We'll be listening to you.
[plays back recording of Harry playing saxophone]