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Linnie 2022-02-07 14:47:22
The pilot's wife effect
Asking for no pain, lovesickness. Starting from the pilot's wife, her pregnancy triggers a chain reaction, the pilot wants to end the relationship with Anna, and Anna loves the pilot, so she is upset, and Francois, who loves Anna, is coldly treated by Anna and upset. At the end of the film, Anna...
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Evans 2022-02-07 14:47:22
condiment
The story is not simple, the scene is not simple, a small room, a corner of the park, a cafe, and finally back to the small room. In a very limited scene, Rohmer produced a sense of suspense and absurdity, and turned it around with a photo at the end. The content of the dialogue is skewed towards...
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Ephraim 2022-04-23 07:04:34
Drawing lessons from indoor dramas, the tit-for-tat plot is compact, but the story is downplayed, and various elements are quickly forgotten as the narrative progresses; the scenery is carefully selected, the circular park radiates and disperses, and the director uses documentary techniques (occasional situations, cut out shots) to make the director Hiding with the actors. When we watch the movie, we don't watch the character's moral speech (unlike other Rohmer films, even the male protagonist doesn't express it), or the Hitchcock-esque suspense (who is the wife?), we watch the ordinary boy's ordinary One day, caught in his fantasy and melancholy, experiencing his obsession, disappointment, entanglement (represented by his girlfriend), as well as chance, openness, and miss (represented by Luyu girl). These are two faces of the same dream, although they are very different in appearance, you can only replace the lack of reality with the occupation of the eyes: the love of youth is the modern version of fatalism.
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Lela 2022-03-18 09:01:08
The contingency of love is presented with a very clear track of tracing and combination. Oh la la!