Extended Reading
  • Alessandra 2022-03-21 09:03:26

    Mensonges d'hommes, vacillements des femmes

    «Cet obscur objet du désir» est la dernière œuvre cinématographique du réalisateur Luis Buñuel. Le film raconte une histoire sur les deux sexes dans la bouche d'un homme âgé.

    Dans le film, il ya un thème constant de la libération sexuelle de la femme par Buñuel à la fin de sa carrière créatrice et...

  • Ross 2022-03-25 09:01:23

    generally

    Personally, I think it's okay! Spanish TV dramas are pretty good, but I haven't seen the movie. This is the first Spanish movie I've seen. It was recommended by a friend. I think it's good because the emotional line is very good. , is to give people a very comfortable emotional state, very pleasing...

  • Dahlia 2022-03-26 09:01:14

    The two people who have flashes of inspiration play a role, and the two people who are cold and enthusiastic are especially transformed into two actors who alternately appear on the screen. Because I was curious about the direction of this relationship, it felt like watching a suspense movie. The ending is high-energy, and the person who played with love terrorism exploded in place 233333

  • Tyler 2022-03-16 09:01:09

    The last of Buñuel, the overall average, but the beginning and the end are exquisite. Compared with the two-player heroine, I especially like the situational setting of "storytelling on the train", and the character distribution is also very interesting (as the male protagonist/narrator of the big capitalist, psychologist, judge, prudent middle-class housewife), Unfortunately, the director seems to have forgotten about this structure first. The finale of "The Old Woman Weeps and Embroiders Luoshang" reveals the theme (women use the delay of desire to overturn the power structure) as failure (the anger of the male protagonist after being deceived cannot deduce his love for the female protagonist; and once the female protagonist sets her body up As the last fortress, it is doomed to its ultimate failure), at the same time, the radical left violence of the 1970s in the overall background is also presented as an irrelevant failure.

That Obscure Object of Desire quotes

  • Mathieu: My Conchita...

  • Mathieu: I respect love too much to go seeking it in the back streets.