-
Mable 2022-02-02 08:04:10
Akira Kurosawa's work is the template for filming
Akira Kurosawa's script is extremely solid, has all the necessary conditions and will stretch the content, which is a necessary condition for his success. His work is the template for filming.
In a debate between Shinobu Hashimoto and Mifune about bad guys, Mifune believes that war turns people into...
-
Leta 2022-03-21 09:03:25
pull down the story line
wild dog
After the war, the demobilized boys returned from the front. Stray dogs were panting, the weather was unbearably hot, beer, popsicles and fans fighting for power, sweaty handkerchiefs and hats that couldn't help but fill every detail.
Murakami joined the criminal police team and became a...
-
Laurie 2022-04-23 07:05:18
The male protagonist's process of searching for a gun has witnessed the various social conditions of post-war Japan, and explored the relationship between the evil of society and the evil of people.
-
Aurore 2022-04-21 09:03:45
The film explores Japan's mood in its painful recovery after the war, and is considered a forerunner of contemporary police and gangster films and tough-guy film genres. The process of "hunting a gun" is also a tour of various post-war social classes, just like Jia Zhangke's "The World" style. "intensive totality". The heat wave in Tokyo's summer after the war, the layers of sweat permeating people's skin, seems to be some kind of sensory imprint left by the film to future generations. How does the movie find a physical dimension in warriors, warriors, policemen, and bandits, who are often sublime characters, of course, the grand, beautiful, and majestic history is also expressed by the tenacity and tenacity of movements like wiping sweat. achieved cumulatively. In this sense Kurosawa represents a kind of descriptive, sensory-detailed realism. The film, like Chaos and Spider's Nest, is based on a Western classic (this time it's Simenon), but it also doesn't make any sense of shoes that don't fit.
Related articles
-
Det. Sato: This is the make-or-break point. He's killed someone. A killer's like a mad dog. Do you know how a mad dog walks? There's an old ditty that's disturbingly close to home. "A mad dog only sees straight paths."
-
Det. Sato: We want to see Namiki.
[the show director, a tall young man with thick, limp hair, slumps down in a chair and holds an electric fan to his face]
Girlie Show director: [lazily] Harumi's out today. She's a real problem, that one. One little comment and she takes the day off. She's quiet all right, but the quiet ones are always the most stubborn. And she's sick right now.
Det. Sato: She's sick?
Girlie Show director: With her monthlies, you know. They're always impossible then.
