Rebels of the Neon God

Lee 2022-03-01 08:01:03

An emotional void, where the trivialities of daily life are collaged in a sticky and humid environment, and every marginal, lonely and lost individual wanders in the temptation of desire: sinking or disillusionment - "In contemporary In society and in contemporary culture, i.e. in post-industrial...

Winona 2022-03-14 14:12:30

Teenage Nezha & Long Live Love & River

Watching the water trilogy at the cinema in Jiujo, from day to night, the rain outside the cinema stopped and stopped. The joyful scenes under the fixed long shots are stripped of passion, only desire ebbs and flows slowly, and that damp intimacy surrounds the...

Elta 2022-03-25 09:01:21

It's quite interesting. The actors have tension in their bodies or faces, which are very good to shoot. There are many visual places in the environment. When a director in his thirties shoots actors in his twenties, wandering around the streets and deviating from the track of "tutoring", the world is empty and there is no longer any parental protection. Some young directors now have cameras in their hands but are middle-aged. It doesn't feel like the film is like 30 years ago, with a magical sense of age. Looking at the title, I thought it would focus on the parent-child line. Without parents, you can't be a Nezha. Chen Zhaorong and Wang Yuwen laughed to death on the street, they were full of nonsense and they loved youth. Hostility is often accompanied by intense curiosity and identification. Back to the extreme, is the "female" situation. Huang Shujun's music is a bit dark and snickering

America 2022-04-21 09:03:30

Although the story is well told, the intersection between Xiaokang and Aze is a bit too weird (?) In comparison, I prefer the second part of the "Water" trilogy. Of course the film still has very few lines, the result of the last long shot. It's a director's trait.