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Pasquale 2022-01-11 08:03:05
Fusion
When expressing all kinds of obstacles and powerlessness, I feel more strongly that it is a kind of responsibility to write something about it.
Takahata Hoon is a metaphor master. This is not only because he used a lot of detailed visual presentations in "My Neighbor Yamada-kun" and this film, such... -
Toney 2022-01-11 08:03:05
Changes and changes
In recent years, I often wake up in the middle of the night and still remember the situation in my dreams. It is the thick weeping willow tree, the clear lake, the lake is surrounded by stones with dragons and phoenixes, and the old forest with black oil on the side of the river at the back of the...
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Lori 2022-03-18 09:01:05
Traditional stories of naturalism, as well as the hidden attitude of Japanese culture towards sex, this kind of film must be guided by old men, the kind of old men of village elders
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Sadye 2022-03-19 09:01:07
I watched it many times, some laughing, some crying, and all tastes for yourself. Old man Gong’s old film is still that old topic, the contradiction between human beings and nature. Humans use a lot of land and occupy the living space of civet cats. In order to survive, the civet cat began to retaliate against mankind with ever-changing means. There are many weird but ridiculous plots. In the end, the civet cat failed and could only become a human form and lurking in the human life.
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Gonta: [as his attempted coup d'etat and call to action devolves into a random conversation about how best to cook a mouse] WHAT IS THE MATTER WITH ALL OF YOU? I say...
[He changes into his ultra simplified form and sings]
Gonta: A mouse tempura is the best one, yes it is!
Oroku: See, Gonta? We can't fight. All we can think about is food. I think it's best if we wait for the transformation masters to get here.
Gonta: [in a gruffly rueful tone] Sorry about that.
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Shokichi: As soon as it's springtime, everybody goes crazy. All of a sudden they want to get married and have families. Nobody seems to remember Oroku's warning that we're not supposed to have any cubs. The second the sun hits their fur, they fall in love.
[He and Kiyo gaze into each other's eyes]
Shokichi: But not us. You don't see us chasing after each other like we're lunatics. We can handle not getting married and not having cubs, don't you think?
Kiyo: Of course we can. I'm so pleased. It's just what I'd hoped you'd say. You're... wonderful.
[She embraces Shokichi passionately]
Shokichi: Yeah. We can hold off. I don't need to kiss, or cuddle, or rub noses or...
Kiyo: [eyes burning with desire] Oh, Shokichi.
[She kisses him. She leans into Shokichi, then he leans into her]
Narrator: That was a mistake.
