Extended Reading
  • Amos 2021-12-08 08:01:44

    Martin Sicoses' Little Italy

    In fact, Martin Sicoses’ Little Italy no longer exists, not only the atmosphere, but also not much space left. Little Italy has long been annexed by Chinatown. When I was in New York in 2010, I looked for it carefully on the map, but I saw a Chinese restaurant within a few steps.
    This is a...

  • Drew 2021-12-08 08:01:44

    Scorsese's famous works

    Adapted from a documentary of the same name directed by Martin Scorsese in 1970 and starring Robert De Niro, this distinctive style and moving plot is released, marking the most prolific and important director and star in the history of film Born. With the "Little Italy" area as the...

  • Edwardo 2022-04-23 07:02:05

    The first collaboration between Martin Scorsese and Robert De Niro, along with the then-young Harvey Keitel, was arguably the golden combination of gangster films. In the purest Martin style in the early days, the film describes an unconscious life state of the bottom members of the Mafia, and the character differences of the three friends in the smoke and alcohol atmosphere secretly determine their respective fates.

  • Jaquelin 2022-04-21 09:02:07

    Watching this and "Goodfellas" on the same day, I can really see how Martin Scorsese has changed and unchanged. The occasional stop-motion and slow-motion, multi-angle jump cuts, and asynchrony between sound and picture, these elements that were more obvious in his early works, appear more regularly in "Goodfellas", and the good taste of the soundtrack is always the same. One of his strengths. Still taking gangsters in the Italian area of ​​the United States as the subject, the theme of gangs and brotherhood is also continuing. The change is that 17 years later, he replaced the individual struggling with his hands to the flames with a more flexible multi-angle narrative and a more macro perspective of God; he replaced the complex and moving emotions among the little gangsters with a shredded cocoon. Look at the power system within the gang, how the so-called goodfellow friendship becomes a joke in the face of profit. The former is more sincere, the latter is very skilled and sharp. 31, 48.

Mean Streets quotes

  • Johnny Boy: Hey, why don't you lower the jukebox, I can't hear nothin'.

    Joey 'Clams' Scala: Hey, the girls like the music loud.

    Johnny Boy: Girls. You call those skanks girls?

    Joey 'Clams' Scala: [to Charlie] Hey, what's a matter with this kid, huh?

    Johnny Boy: Hey, there ain't nothin' wrong with me my friend, I'm feelin' fine.

    Charlie: Keep your mouth shut.

    Johnny Boy: You tell me that in front of this asshole?

    Joey 'Clams' Scala: Alright, alright, we're not gonna pay. We're not paying.

    Jimmy: But why? Joey, we just said we were gonna have a drink.

    Joey 'Clams' Scala: [Joey interupts] We're not payin', because this guy, this guy's a fuckin' mook.

    Jimmy: But I didn't say nothin'.

    Joey 'Clams' Scala: And we don't pay mooks.

    Jimmy: Mook? I'm a mook?

    Joey 'Clams' Scala: Yeah

    Jimmy: What's a mook?

    Johnny Boy: A mook, what's a mook?

    Tony DeVienazo: I don't know...

    Johnny Boy: What's a mook?

    Jimmy: You can't call me a mook!

    Joey 'Clams' Scala: I can't?

    Jimmy: No...

    Joey 'Clams' Scala: [pause] I'll give you mook!

    [punches Jimmy in the face]

  • Oscar: Look Charlie, you're a good boy. Will you just tell your uncle that I have nothing. There is nothing to give him. No envelopes with cash inside, no checks, nothing.

    Charlie: That bad, huh?

    Oscar: I can't make this week's payment and if this keeps up not next week's either.

    Charlie: Not next week's either... listen... you tell that to Giovanni, not me.

    Oscar: Listen, I should wrap up this place in a ribbon and hand it to him, you know that. I don't need this aggravation. I'm getting old.

    Charlie: He'd rather have the loan payed, you know that.