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Karson 2022-01-18 08:01:24
Audrey Hepburn, Ariane's method of chasing her husband
The role of Ariane tells us that green tea bitch and milk tea girl can fit together. The scheming girl can be simple, the pure girl can scheming, the scheming is the means, the pure heart. As an elderly girl, hurry up and get this trick to lure her husband.
This drama is really cheesy and unreal. I...
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Tremaine 2022-01-18 08:01:24
My favorite Hepburn movie!
The story is a vulgar routine. The older playboy falls in love with the pure and passionate girl, and finally gets married. But fortunately, Billy Wilder found the wonderful combination of Audrey Hepburn and Gary Cooper. Gary Cooper is truly full of mature male charm, old and tough. Audrey Hepburn...
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Alessandro 2022-04-24 07:01:22
Billy Wilder's film perfectly highlights Hepburn's innocence and cuteness, and Hepburn's partner has reached a new level of age. If there can be a beautiful girl who is so infatuated with me, what can I ask for?
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Shana 2022-01-18 08:01:24
The interactive relationship between lovers and sprinklers. If you stand on the side of the street and kiss you without fear of drenching, this is a French romance from the perspective of Billy Wilder's Twilight Love; if it is a sprinkler that stops sprinkling when it approaches a couple and then turns it on after passing by, this is a genius screenwriter Samson Reverson based on the unique scenes conceived by *Liu Bieqian's tactile sensation; if it is a couple running in front of the sprinkler and chasing behind, but it is always a little too weak to get wet, this is Emmerich’s shooting again It’s a big disaster movie... After all, why is it impossible for Reverson’s filming to appear in Wilder’s film, and it may not be successful if it appears? Because it is a weakening of the current romantic scene, the focus has shifted from the couple to the driver, showing that the driver is full of humanity. On the other hand, the French admire the ultimate, but the object of the ultimate is love, not the worldly desires such as money and rights. French film and Hollywood belong to: the themes are opposed, the emotions are the same.
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Monsieur X: I may.
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Monsieur X: Nothing whatsoever.
Claude Chavasse: In that case, Monsieur, you leave me no choice. I must insist on being paid as of right now.
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