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Nedra 2022-04-19 09:02:44
Talking about the art design in "Lola" (non-professional)
"Lola" is the final installment of Fassbender's "West Germany trilogy", based on "The Blue Angels" directed by Josef von Sternberg. The story told in the film is very classical and stylized - the hero, Bohm, is a traditional, conservative doer who was hired as a building commissioner to a...
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Kenton 2022-02-24 08:01:11
Lola
In the mid-1950s, it was during the recovery period of the so-called "economic miracle" in Germany. The story took place in a small city. The night in the small town is very lively, and the upper-class people in the municipal administration often go to the feasting nightclubs for fun. From above, a...
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Marc 2022-02-24 08:01:11
why he marry her anyway? It doesn't make any sense.
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Carmella 2022-04-24 07:01:23
Fassbender's anti-corruption farce. The color of the whole play is a parody of a brothel, and the colorfulness is like a capitalist drunken fan. The essence of capitalism is to get what we want and compromise with each other. Real estate developers give up sex for money, and idealists eventually get rich. The black-and-white photos at the beginning and end of the credits are of Konrad Adenauer, the first chancellor of West Germany. Fassbender showed him probably to let the audience remember that he introduced the capitalist market economy to pollute people's spirits. The composition and positioning of the shots were carefully designed by Fassbender. But the film is a bit of a mystery as the finale of Fassbender's trilogy of women. Has the protagonist Lola found true love? She is nothing more than a public mistress of the government and business interest groups.
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Lola's Mother: Marie-Louise!
Lola: A whore is something for sale, like that Ming thing there. Except you can touch them, and they're not so rare.
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Lola: Hello.
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