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Cheyenne 2021-10-20 17:25:02
struggle across the 110th street
Quentin's lightest style, 150 minutes long, is a superb narrative, rhythm, and character creation. The narrative line of "White Night" has shocked many readers, but Quentin tried it in the 90s. It is neither bloody, violent, nor exaggerated. The daily atmosphere is mixed with gangsters, suspense,...
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Lee 2022-03-18 09:01:02
Forward Quentin's interview about the original novel
"Dangerous Relationship" is probably the least well-known one of Quentin's famous director's works, probably because its style is too "Quentin". It is adapted from Elmore Leonard's novel "The Power of Magic", a crime comedy hodgepodge, and Quentin's first adaptation of a screenplay. The works of...
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Norberto 2022-03-20 09:01:14
Quentin is still making a cult movie this time, but the narrative structure is linear. The switching of the lens is just right, but it makes me feel boring. The actor's performance was quite satisfactory, and it was this kind of satisfactory performance from beginning to end that made me feel sleepy. I hope I don’t make this kind of movie anymore. Of course, the subtitles of this version I watched are very problematic; but in terms of the lines I understand, the script written by Quentin is really not very attractive, even for someone like me who is used to watching gangster movies. For Comrade Quentin, movies of this level should be classified as inferior. I think the ugliest one of Quentin's five films-there is no way, I am not a film critic, and I am always hard to be interested in studying the artistry of films that are not well-watched.
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Braulio 2022-03-22 09:01:14
The atypical Quentin’s is different, but it still has his taste, talking about tuberculosis, inexplicable death, and the non-linear narrative that must appear. Long shots are great.
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Ordell Robbie: My money's in that office, right? If she start giving me some bullshit about it ain't there, and we got to go someplace else and get it, I'm gonna shoot you in the head then and there. Then I'm gonna shoot that bitch in the kneecaps, find out where my goddamn money is. She gonna tell me too. Hey, look at me when I'm talking to you, motherfucker. You listen: we go in there, and that nigga Winston or anybody else is in there, you the first motherfucker to get shot. You understand?
