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Blaze 2021-11-14 08:01:23
dirty harry
People who like this film like it very much, but those who don't like it don't seem to feel it. It has no fierce gunfights, drag scenes, or passionate scenes in dialogue with young people. It is completely unlike modern police and gangster movies. I think it’s more like a western movie,...
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Blaze 2022-03-21 09:01:41
Dirty Harry: A Relic of a Bygone Era
Watching the 1971 cop thriller Dirty Harry at a time when feminism and anti-racism become increasingly mainstream is indeed a nerve-racking experience. Directed by the earlier B-movie director Don Siegel, the 102-minute film, which portrays the cat-and -mouse-chase of a San Francisco police...
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Winnifred 2022-04-23 07:01:41
Crime and punishment San Francisco in the 1970s was too monotonous compared to today. San Francisco without neon wine green without colorful colors would not be San Francisco. The old cowboy jumped from a shabby and dead small town cowboy to a city policeman with busy streets and high-rise buildings. He continued to act as a chivalrous man, eliminate violence, punish evil, and promote goodness. For the expression of good and bad beauty and ugly good and evil, martial arts films and Westerns are no different. When will people question the law? When the bad guy kills the good guy or when the bad guy succeeds, the law still has to protect the bad guy's rights. American law is absolutely good law not evil law, but it has never been able to mediate this paradox that makes people grit their teeth. Only in the world of martial arts films and westerns can the protagonist and the audience enjoy the pleasures and grievances that can only be achieved in this extrajudicial land. 50 years later, Democrats still continue this regrettable legal policy of "bow down" to the bad guys, which further reflects the meaning of the film's torture of moral justice and law.
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Kyle 2022-03-21 09:01:41
8.0/10 points. Just finished watching the Red Dead trilogy and found out that Clint Eastwood has become an "urban cowboy". . . Since the 1960s and 1970s, Western films have been on the decline, and in the late 1970s, there is only one breath left, and at the same time, the big screen has gradually entered the era of tough guys. The fierce men in the cities use their fists and weapons to make the western cowboy's The core is revived with new vitality in the feasting and neon city.
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