Transit

By Lacey 2022-04-17 09:01:14

How to present a novel on the screen

At the beginning, the dialogue between the two brings out the big environment. It only depends on the acting skills to bring out the atmosphere. This is a very powerful foundation. The side-by-side hit, the ambulance passing by, the close-up of the letter, and the close-up of the letter appeared many times. The script of "The Escaper" Appearing on the table and telling the story of the dead with a puddle of blood in the toilet, the director must have a poor crew. It is all this way of saving...

By Richie 2022-04-17 09:01:14

Masterpiece

So well shot, it's true art. I don't know how to describe the feeling of watching this film. I first heard that Christian Petzold was going to make a time travel drama about immigration, and I felt that this theme was a bit off for him. Why go to this muddy water? However, Petzold is a work that is clear, calm and restrained as soon as he shoots. The whole process makes me hold my breath, for fear of missing any poetic line, any precise gaze, and any meaningful pause where I want to speak...

By Bradford 2022-04-17 09:01:14

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The time ambiguity generated by the setting of the World War II story in the current environment leads the viewing psychology to constantly oscillate between the thrilling history of the Jews fleeing during the occupation and the encounters of refugees in the Middle East today; but Petzold is still too persistent in presenting a complete rhapsody. The twists and turns weaken the imaginative pleasure of the text brought about by the ambiguity of the setting. But in this era when melodrama is...

By Meggie 2022-04-17 09:01:14

Lost identity, dream land that can never be reached

Probably my favorite European movie of the year.

Its literary and poetic expression, as well as the artistic technique that blurs the time, event and space, make people deeply addicted.

At first glance, it has the mysterious and absurd colors of the Portuguese film "One Thousand and One Nights". In the lazy Marseilles of modern times, time and space are blurred, and the horror escape on the eve of the apartheid massacre during World War II is staged.

Upon closer inspection,...

By Nickolas 2022-04-17 09:01:14

The theme of European refugees can cross and intertextualize with the Nazi history of World War II. This movie is too scary

At this year's Berlin Film Festival, the most sought-after film for the Golden Bear was Christian Petzold's Transit.

Christian Petzold, one of the members of the Berlin Film Festival's "straight line", won the Golden Bear for the World War II film "Barbara" as early as six years ago.

This year, "Transit", with its hilarious plot, missed out on...

By Gia 2023-09-17 16:21:48

It blends the emotions of fear, helplessness, boredom, hope and numbness together, and the filming is excellent. Is the problem of time background due to lack of budget? But instead, it enhances the film's moral, suggesting that "this can all happen in the...

By Freeda 2023-08-16 08:15:20

Grafting past time into modern space did not bring richer layers and possibilities. Characters and narratives stumbled in inappropriate backgrounds, playing a clever trick of a modern version of historical stage play, and the final effect may only be saving...

By Bernhard 2023-07-23 15:13:49

If the viewer does not know the film introduction or read the original book in advance, the film will be confused, because the sense of detachment from a World War II story and the characters in such a modern environment has always been there, and the information transmitted by the image has not been eliminated. The viewer's doubts, the key problem is that the new situation does not feed back the narrative. If such an effect is intentional by the director, it will undoubtedly prove that such a...

By Mortimer 2023-07-09 09:15:14

History is recounted in layers, in empathy and solid repetition, over and over again, and Petzold's brilliant play creates a sense of place that coexists on multiple levels, a sense of the usual Only the creator is omnipotent and powerless. The tragedy that we can't get rid of may not be whether the people who leave or stay will forget each other, but the differences that should belong to the past tense in the stories handed down by the travelers are entangled with the present all the time,...

By Cheyenne 2023-07-07 22:13:14

Seems to have found a balance between film and...