Tokyo Story

Tokyo Story

  • Director: Yasujirô Ozu
  • Writer: Kôgo Noda,Yasujirô Ozu
  • Countries of origin: Japan
  • Language: Japanese, English
  • Release date: March 13, 1972
  • Sound mix: Mono
  • Aspect ratio: 1.37 : 1
  • Also known as: Токијска прича
  • "Tokyo Story" is a feature film directed by Yasujiro Ozu and starring Chishu Ryu and Setsuko Hara . It was officially released in Japan on November 3, 1953.
    The film tells the story of an old couple Hirayama Zhouji living in a small town, and their children who got married in Tokyo briefly met and separated quickly, and each returned to their original life trajectory   .

    Details

    • Release date March 13, 1972
    • Filming locations Osaka, Japan
    • Production companies Shochiku

    Box office

    Gross worldwide

    $40,468

    Movie reviews

     ( 104 ) Add reviews

    • By Sarai 2022-07-25 16:09:38

      Tokyo Story--Quiet Tokyo and Quiet Movies

      Quiet, quiet, quiet and

      insipid, filling the whole house.

      The sound of the train seems to be heading to everyone's heart.

    • By Zack 2022-04-24 07:01:14

      We're homeless now

      Thinking of "Joy and Mourning" I watched a year ago, Ozu was more than 60 years earlier than it, and he thought more deeply. The two elderly people's trip to Tokyo ended in constant thanks and apologies. In the eyes of their children, they were friends from the countryside, maybe not as good as friends. In the meantime, the happiest thing for the old man is not staying upstairs all day, not sleeping all night at the hot spring hotel by the lively poker game and music, not going to the...

    • By Daniela 2022-04-24 07:01:14

      Beneath the dullness is the surging of great power

      "Tokyo Story" is a story constructed under the Japanese cultural system. The film explicitly or implicitly reflects Japanese cultural elements such as cumbersome etiquette, hierarchy, and shame culture. In addition, the film is old, and it is easy for the public to miss it. A classic, and in fact, the film's enormous charm is enough to cross these cultural barriers.

    • By Ali 2022-04-24 07:01:14

      hope in gloom

      The 1953 black and white film, re-watching the old film, has a lot of new experience.

      A bland story, but deep enough to suffocate. Slow rhythm, clean shots, concise dialogue, still life freeze, the beauty of light and shadow in black and white films, delicate and lonely.

      Japanese films after World War II are full of gloomy emotions, and the last embodiment of traditional Japanese virtues is actually the daughter-in-law of the deceased son of an old man. The...

    • By Derrick 2022-04-23 07:02:32

      Tokyo Story

      Facing the quiet black and white film, I feel very heartache.
      It's the Japanese's unique subtlety. Every picture seems peaceful and quiet. The dialogue is tacit, calm, and reveals a beautiful meaning, but this silence is terrifying.
      For the first time, I felt that there was a cold temperament in the etiquette of the Japanese nation. Everyone respects their parents, their partners, their children, and the rest of the society, bowing and nodding, serving tea and water, and every word of...

    User comments

      ( 85 ) Add comments

    • By Amelia 2023-09-06 16:57:11

      2021.05.14 @ Archives I don't know how many brushes. It is impossible to pick out the fault, and Hou Hsiao-hsien really stole a lot of teachers. The scene scheduling is invincible, and I don't care about subtitles. Last time I watched it, I only felt that there was no nonsense. This time I felt that there was no unreasonable scene (and never rely on close-up), and it was often beyond expectations and reasonable. After the funeral dinner, the father takes a backseat, a completely unbalanced compo

    • By Gerard 2023-09-02 23:02:49

      Only a lonely daughter-in-law can understand a lonely old couple. "Children may not love their parents. They believe that they are in love, but in the scouring of daily life, that feeling has gradually disappeared, and love and respect are only a self-righteous...

    • By Rubye 2023-08-26 14:51:35

      After seeing it, I can feel that it is still better than the Tokyo family...much better. Naturally, there is no need to say the language of the camera. The key is to successfully depict the subtle embarrassment and loss between parents and children. I feel so empathetic... From late spring to Monogatari, Hara Setsuko still laughed to the extreme and turned into sadness; that The inescapable loneliness and the disappointment of separation are best kept on the shelf on weekdays. Once you think...

    • By Zack 2023-06-28 19:45:14

      Whether it is the train on the track, the children on the street, the ship by the port, or the family of the Hirayama family, they are all trains that keep walking. Maybe the scenery along the road is beautiful, but even if we stop, we have no time to watch it, because when we stop, life is already urging us to move forward. Yasujiro Ozu's whole film calmly and calmly reveals the sadness of life - the fragmentation and endless pain beneath the ordinary. But as Romain Rolland said: There is only...

    • By Caitlyn 2023-06-28 13:28:48

      Art knows no borders, little pink is...

    Movie plot

    Hirayama Zhouji ( Chishu Ryu ) and Tomi ( Chieko Higashiyama ) are an elderly couple. Their lives are a bit lonely and lonely, so they decide to go to Tokyo to visit their children who are already married. They arrived happily, but received a rather cold reception. The son, daughter-in-law, daughter, and son-in-law are all very busy due to the pressure of life, and there is no time to greet the two elders. Therefore, it is recommended...
    more about Tokyo Story Movie plot

    Behind the scenes gags

    Chishu Ryu, who plays 70-year-old Zhou Ji, looks quite old in the film, but in fact he was only 49 years old.
    Setsuko Hara often played the role of the military's wife before the war. In this film, she played the role of Hirayama, the survivor who lost her husband in the war.
    The original negative of the film was burnt down in the basement of a research room in Yokohama after the film was....
    more about Tokyo Story Behind the scenes gags

    Evaluation action

    Yasujiro Ozu used the frontal switching of the screen, the strict adjustment of the size of the characters in the composition, and the simple and neat dialogue to show bluntly that the traditional large family system is irreversibly moving towards a slow disintegration process.
    Yasujiro Ozu's "Tokyo Story", named directly after "Monument", also expresses the profound feelings of grief. For example, when the parents arrived in Tokyo,...
    more about Tokyo Story Evaluation action

    Movie quotes

    • Tomi Hirayama: [saying good-bye at the train station] You were so nice to us, children. Now that we've seen you all, you need not come down, even if anything should happen to either one of us.

      Shige Kaneko: Don't talk like that. This isn't a farewell.

      Tomi Hirayama: I mean it. We live too far away.

    • Tetsudou-shokuin: How old is she?

      Keizo Hirayama: Let me see. She's way over 60. Sixty-seven or 68, maybe.

      Tetsudou-shokuin: Very old. Take good care of her. "Be a good son while your parents are alive."

      Keizo Hirayama: That's right. "None can serve his parents beyond the grave."

    • Shukichi Hirayama: I'm surprised how children change. Shige used to be much nicer before. A married daughter is like a stranger.

      Tomi Hirayama: Koichi has changed too. He used to be such a nice boy.

      Shukichi Hirayama: Children don't live up to their parents' expectations. Let's just be happy that they're better than most.

      Tomi Hirayama: They're certainly better than average. We're fortunate.

      Shukichi Hirayama: I think so. We should consider ourselves lucky.

      Tomi Hirayama: Yes, we are very lucky.