Budget
$750,000 (estimated)
Gross US & Canada
$58,657
Gross worldwide
$400,747
Budget
$750,000 (estimated)
Gross US & Canada
$58,657
Gross worldwide
$400,747
Movie reviews
( 30 )
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By Freda 2022-03-25 09:01:15
contemporaries
First, I saw the screenshots of the stills, and I really thought it was too beautiful.
Later, I found out that it was directed by Bertolucci. I probably knew the political significance of the film at a certain point in time. As for the revolution in Italy at that time, I didn’t know much about the living conditions. From the perspective of the protagonist, his family environment has made him pursue his pursuit since he was a child. "Ordinary", and when I finally...
By Bridie 2022-03-25 09:01:15
Idea Initialization [From Li Zongheng Film Review]
1. Very very very French New Wave Italian cinema. Storaro had so many photographic "ideas" when he was young that the editing was a bit awkward and aphasia. It's normal. There are problems in the young and old. People with healthy minds should grow up with time. Injuring Zhongyong is a fatal tragedy. 2. The two beauties are really entertaining. As Boss Chen said, they are as beautiful as classical marble sculptures. More importantly, the marble foundation is also full of Bertolucci's erotic...
By Chauncey 2022-03-25 09:01:15
The film's original title, "conformista," was derived from English, referring to converts to the Anglican Church; later, in French and Italian, the word gradually evolved to refer to the self-proclaimed conformist orthodoxy .
The film "Followers" was adapted by director Bertolucci based on the novel of the same name by the famous Italian writer Moravia. The emergence of Moravia's novel with a strong political color is inseparable from some political events in the world after the...
By Devyn 2022-03-24 09:03:02
Companion: The Guardian of the World
Red, blue and purple, the sky is brightened, the chickens are awakened, the birds are also frightened, the clear springs of the mountain stream smooth the rock walls, the ginkgo leaves are rotting in the splendor, the fierce north wind is pervasive, invincible, unparalleled, let With no way to escape, Wose and Dese laid double-yolk eggs, and the whipped top revolved day and night. The seagulls flew after the fishing boats, because there would be sardines thrown into the sea, and the rows of...
By Emma 2022-03-22 09:02:29
Where did you find so many modernist buildings, it brought out the oppression of space, especially in the first building and the madhouse. There was a scene where the camera was tilted on the road, and it was very tense. Not to mention the two scenes in the home space, one used blinds to explain the relationship between the protagonist, his fiancee and the maid. The camera moves smoothly and explains the dynamics between the characters. It's back to this scene near the end of the movie. All in...
User comments
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By Sandra 2022-03-28 09:01:08
The whole film seems to me to be a tortured magnification of the Confessional...
By Uriah 2022-03-28 09:01:08
From heavy, downstream, normal, the biggest advantage is safety, which is the guarantee of survival. . ....
By Torrey 2022-03-28 09:01:08
The originally complicated political society and human nature made the director's tricks more elusive, complicated things more complicated, and the relationship logic that he didn't understand even more elusive. This is the trick of some famous directors. Everything is flat and perceptible, but everything only stays at the sensory...
By Unique 2022-03-27 09:01:15
Politics and eroticism, the photography is very good, the two heroines are both blond and brunette, both are...
By Cecelia 2022-03-27 09:01:15
7.3; The theme comes first, the soundtrack is too...
Manganiello: [disgusted by Marcello's inability to act and leaving their car] How disgusting! I've always said so. Make me work in the shit - sure, but not with a coward! It's up to me! Cowards, homosexuals, Jews - they're all the same thing! If it were up to me, I'd stand them all against a wall!
[he blows on his fingers in the stinging cold]
Manganiello: Better yet - eliminate them when they're born!
Marcello: Ten years ago, my father was in Munich. Often, after the theater, he told me that he'd go with friends to a Bierstube. There was a nutty man they thought a fool. He spoke about politics. He was quite an attraction. They'd buy him beer and encourage him. He'd stand up on the table making furious speeches. It was Hitler.
[first lines]
Marcello: [to Manganiello on the phone] It's me, yes. Everything all right?
[pause]
Marcello: What do you mean, they're gone? You mean she's gone, too?
[pause]
Marcello: I'll be waiting in front of the hotel.
[hangs up]