Samurai Rebellion

Samurai Rebellion

  • Director: Masaki Kobayashi
  • Writer: Shinobu Hashimoto,Yasuhiko Takiguchi
  • Countries of origin: Japan
  • Language: Japanese
  • Release date: December 1967
  • Sound mix: Mono
  • Aspect ratio: 2.35 : 1
  • Also known as: 奪命劍
  • "Samurai Rebellion" is a film directed by Masaki Kobayashi and starring Toshirô Mifune , which tells the story of Isaburo Sasahara and his son.

    Details

    • Release date December 1967
    • Filming locations Toho Studios, Tokyo, Japan
    • Production companies Mifune Productions Co. Ltd., Toho Company

    Movie reviews

     ( 27 ) Add reviews

    • By Zachariah 2022-03-25 09:01:23

      Death Sword

      "The Sword of Death" was initially thought to be the work of the great director Akira Kurosawa, because of the great actors Mifune Toshiro and Nakadai Tatsuya. The former is not much to say, "The Heart Stick", "Tsubaki Thirty-Long", "Seven Samurai" and "Red Beard", which cover most of Kurosawa Akira's works in the first half of his life, while the latter is "Shadow Warrior" and "Ran". , a great movie with a great actor. After watching it, I found out that it was directed by Masaki Kobayashi,...

    • By Aletha 2022-03-24 09:03:48

      The stylization that has not been carried out to the end means that it is still in the narrative stage of the film

      Therefore, it is difficult for the film to rise from the entanglement at the narrative level. The entanglement of various phenomena-essences completely interferes with the formation of the cinematic impression. On the one hand, the film oscillates between the restoration of reality and the shaping of imagery, and is always uncertain as to where it should stand. On the other hand, the smooth and stable lens processing seems to take care of all aspects, but in fact it fails to achieve the...

    • By Roxanne 2022-03-23 09:03:28

      last cut

      The last knife, always feel fake. When everyone was at a stalemate, Nakadai chose to shrink the knife? Raise the leading knife upwards to attack again, and release a large space in front of him to cut the three boats. Is it possible? It's the same as Tsubaki's final duel. The last three boats and their opponents face each other, not less than one meter. Such a distance is the moment when the knife is shot. The opponent's right hand draws the knife over the head, and then slashes downwards. At...

    • By Favian 2022-03-22 09:02:59

      This movie is so classic

      This movie is so classic, the first hour is family ethics, the second hour is martial arts fighting. 1967 was the golden age of Toshiro Mifune. In the film, he showed Saburo Harai's strength, determination and sense of responsibility to a terrifyingly high level. Although the characters in Kobayashi Masaki's work are a little weak, Mifune's perfect temperament and image make people see what a real man and a great father should do. This is a movie that fully exudes Mifune's charisma. In the...

    • By Alyson 2022-03-21 09:03:26

      scramble for human ownership

      The story is exquisite and natural, and at the same time, the protagonist Toshiro Mifune's consistent strength is appropriately weakened through the image of a father, and there is a lot less action, and the interspersed interspersed by Tatsuya Nakadai at key times during the period is also the finishing touch.
      There are a few things to say about the inadequacies. The first is that the daughter-in-law is too old to be a wife for Mifune. There is no traditional beauty, and it is too rough,...

    User comments

      ( 57 ) Add comments

    • By Sven 2022-03-28 09:01:13

      8/8.5 It's better to die standing upright than to live on your knees; Samurai's soul and the last の meaning of the world is zhang っ て こ の world に tenacious に 生き て ゆ く; Kobayashi Masaki is another masterpiece after the belly cut; the classical beauty of Si Ye; it seems In all the duels between Mifune and Nakadai, Nakadai lost; since watching the last samurai, whenever I see the picture of the samurai falling, I feel a faint sense of tragic victory and...

    • By Shaun 2022-03-27 09:01:21

      Tommy, we can't go to Edo anymore. From the rebellion against order to the subversion of martial arts, after nearly two hours of foreshadowing, it exploded like thunder, and in the end it was unclear whether it was a personal or a tragedy of the times. Love used to inspire freedom, but now it shackles freedom. The composition is so beautiful that every frame can be cut off to make a desktop. It is the film itself that makes such a depressing story full of...

    • By Major 2022-03-27 09:01:21

      The atmosphere is so good. Hashimoto Shinobu's script was really unhurried, and it didn't start to exert force until ninety minutes. If it weren't for the lighting, sound effects, and delicate composition, I'm afraid it would be hard to get through. The samurai of Masaki Kobayashi are idealists under the power, interpreting the meaning of...

    • By Stephany 2022-03-27 09:01:21

      Twenty years into the marriage, now I want to turn over and swing my sword wherever I want, just to fight for my...

    • By Adelbert 2022-03-27 09:01:21

      v Lao Lao opposes same-sex marriage legislation and opposite-sex monogamy legislation. This film teaches lettuce that there are national laws and family rules. National legislation = Morocco, destroying the family. Centralization = destruction of feudalism. Arranged marriages by parents are the best. If your father calls you several couples and several wives, you should have several couples. Your father calls you curvy or straight, and you are curvy or...

    Movie plot

    Isaburo Sasahara was a vassal of the Aizu Matsudaira Domain. One day, the lord Matsudaira Masaru ordered him to give his son and Goro his wife, Aichi, his side chamber. Isaburo, who entered the Sasahara family and swallowed his voice in front of his stubborn wife, did not want his son to repeat his mistakes and was reluctant to accept orders, but he was powerless to disobey. Yugoro soon married Aichi. Unexpectedly, Aichi loved her...
    more about Samurai Rebellion Movie plot

    Movie quotes

    • Isaburo Sasahara: Each must live his own life.

    • Isaburo Sasahara: Seppuku? Ho ho!