Budget
$13,000,000 (estimated)
Gross US & Canada
$1,173,643
Opening weekend US & Canada
$628,000
Gross worldwide
$2,636,637
Budget
$13,000,000 (estimated)
Gross US & Canada
$1,173,643
Opening weekend US & Canada
$628,000
Gross worldwide
$2,636,637
Movie reviews
( 35 )
Add reviews
By Elaina 2022-12-30 05:37:57
While watching this movie, it's weird that I keep thinking back to Henry Fonda's Twelve Angry Men before, not just because both are courtroom dramas, they both have something indescribable about them. , the common breath. After reading it on the Internet, I found that these two films, separated by 32 years, are actually the work of the same person, Sidney Lumet, it turns out that there are only a few heroes in the world. And people don't change. In his works, the ability to handle dialogue is...
By Rhiannon 2022-12-30 01:26:16
I really didn't expect to get such a high score as 8.7 before watching it. First: Vin Diesel's performance is a 10; second, Sidney Lumet's director is at least 9. Lu Meite is not a film master in my mind, but his excellent works are frequently published. [12 Angry Men] is still fresh in my memory as an English text in college (8.5 points), [TV Station] is the type of movie that exposes the inside story. The highest score (9.5 points), [Hot Day Afternoon] is the peak of Al Pacino's acting career...
By Christiana 2022-12-28 05:57:07
Why be moved? ! ——Find Me Guilty "Condemn Me" film review
Yesterday afternoon, I watched the new film Find Me Guilty "Condemned Me" after the transformation of the muscle man Vin Diesel. After checking IMDB, I was surprised to find that the director of Find Me Guilty was Sidney Lumet, the director of 12 Angry Men "12 Angry Men". Henry Fonda in 12 Angry Men single-handedly persuaded 11 other jurors and eventually cleared the defendant. Henry Fonda's wit, calmness, and maverick are convincing. And although Jackie, the protagonist of Find me Guilty, also...
By Edwardo 2022-12-16 15:48:30
If a line appears in the title of a film, it reads: "This film is based on a true case." Then, be careful, because without the protective net of "fiction", the film will have endless connections with the so-called facts through the "adaptation gap", thereby depriving the ability of reflection that art may bring.
If all we need is another trial, then please don't rip off the power of the movie.
As an opening remark, I must point out the "mistake" of the film's director, Sidney Lumet....
By Daphney 2022-12-16 13:30:23
I should recommend this movie to both public and private, and to love and reason.
At the beginning of the film, just like "Afternoon on a Hot Day", a series of subtitles are typed to tell the audience that everything you see next is true.
This is real. In 1987, prosecutor Sean Kleney, who had never lost a game in his career (interjection: A prosecutor who has never lost before is an essential element of classic American criminal justice cases, such as the heroine of the Simpson...
User comments
( 47 )
Add comments
By Chad 2023-09-16 00:17:32
Can be called a model of court film, the best performance and lines in the Tokyo trial in the mainland is simply...
By Sincere 2023-09-13 00:34:43
The gang's...
By Eleanora 2023-09-12 15:20:49
classic. Not much to say. Revisiting the BD 720P...
By Walton 2023-09-12 14:55:11
The key is this TM is...
By Everett 2023-09-10 12:03:12
The process is wonderful, but the ending is...
Chris Newberger: You know what I heard one of the lady jurors say today. She said he was cute.
Sean Kierney: Cute? What the fuck is wrong with these people? Does she have any idea how much money these bastards cost her? If a hammer and a nail are used on her house, her daughter's apartment, every fuckin' thing is costing her more because of these cute guys. She sees a truck carrying concrete, she's paying for it. Garbage being picked up at a restaurant, she's paying for it. She buys perfume from France, gloves from Italy, she's paying more because it came off a fuckin' boat! Not to mention, that they fuckin' kill people from time to time!
Giacomo 'Fat Jack' DiNorscio: Jackie Dee don't rat. Jackie Dee won't ever rat. I was raised with a different kind of loyalty.
Ben Klandis: Ladies and Gentlemen, the prosecution took great pains to point out that my client and his friends knew the sorted array of misfits they used as witnesses. They want you to believe that these men spent their lives with the criminal element you saw in this courtroom. I want to offer you a different part of Carlo Mascarpone's life and, I'm sure, the lives of these other defendants as well. Wife; children; his priest; his M.D.; the guy who pumps his gas and inspects his car for him. In other words, the hundred odd people whose lives he touches every day; every week, leading a life very much like yours. The government brought you witnesses, government informants, who, because of the lives they have led, have lost the ability to tell the differences between truth and lies. These highly-paid informants came to the government in various ways, but there is one constant: they all came in handcuffs. The government does not like these defendants. They don't like the neighborhood they come from. They don't like the way they talk. They don't like their tradition; their culture. But we are a nation of laws, not men. The purpose of the prosecutor, much like the purpose of the grand jury, is to search for truth, but somehow, in this case, that was lost. The prosecutor became the persecutor. Win at any cost. I thank you all for your time, and now I pass my client's fate into your hands.