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Chance 2022-04-21 09:03:27
[2020 Peach Blossom Island Film Festival] Take a look at the scenery and listen to the...
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Andy 2022-04-21 09:03:27
There are no mirrors and no swimming pools, reducing defocus (only one and a half iconic defocus shots are left in the whole film), and the collision of red and green color blocks in the second half of the jungle scene gives enough visual impact. The complex soundtrack combined with a large number of facial close-ups may create a real sense of immersion, allowing viewers to follow Zama to experience the helplessness and despair that they try to fight for but cannot escape. Martel is definitely...
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Zechariah 2022-04-21 09:03:27
Sometimes it's not necessarily a good thing that the director is too much ahead of the audience. The audio track can give five stars...
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Paolo 2022-04-21 09:03:27
The last step of the long opening day, too tired to remember those complicated names, titles and colonial...
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Nolan 2022-04-21 09:03:27
My favorite female director, why did you make such a boring...
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Toni 2022-04-21 09:03:27
Unexpectedly, Martel is still seeking changes. Unlike the previous works where the blurred focus made the characters and the environment in an ambiguous relationship, this time the characters are completely trapped in the environment. It seems that the styles before and after are somewhat different, but they are still in the same line. There is no sense of separation, and you can feel the powerlessness of the characters who want to escape but cannot break free, and the existential predicament...
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Alisha 2022-04-21 09:03:27
"Organic-image" makes the image constantly deteriorate over time / How to control the audience by controlling the "omniscient pov" / How to organically combine the perception of this "control" with the "image ontology control". It was a great...
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Giovani 2022-04-21 09:03:27
The reality is so, stuck in place. Unconscious changes in the world and the passage of time have made Zama show his weak and powerless...
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Doris 2022-04-21 09:03:27
A/ The first Martel, a mysterious rhythm never seen before in private film history. Who would have guessed that the ending of the scorpion in the dry rut and the trailing tail painting is...
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Jaylen 2022-04-21 09:03:27
BJIFF twenty-first, to be...
Zama Comments
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Amara 2022-01-23 08:05:28
Zama
The sophomore acm course stipulates, otherwise I don't think I will encounter this movie in my life haha. The three points is mainly because it is not my narrative style. I prefer the director to let the characters directly give out what they want to express through the lines and pictures, let me...
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Dock 2022-01-23 08:05:28
Who is afraid of Vicuña Porto?
There is a colonel in Marquez's pen. He has been stationed in Latin American colonies for decades, waiting for a pension that will never come, and is preparing for a cockfighting competition that has almost no chance of winning. For 56 years, all he has done is wait.
The general who nobody wrote to...
Zama quotes
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Gobernador II: What are you writing?
Fernández: A book, Governor.
Zama: We need to draft a letter to be sealed and...
Gobernador II: A book? A book? Make children, not books. Learn a lesson from our Magistrate, Manuel.
Fernández: I can't know how my children will be. But I do know how this book will be.
Director: Lucrecia Martel
Language: Guarani,Spanish,Portuguese Release date: September 28, 2017