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Antonio 2021-11-21 08:02:05
Youth pistols, pornography, all kinds of naked. The male protagonists seem to be in self-confidence all the time, the partial lens and the constantly inserted narration are so calm: there is a peculiar feeling of twisting, but that's...
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Amy 2021-11-21 08:02:05
Really young and...
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Erwin 2021-11-21 08:02:05
And "Gravity" is a...
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Yvonne 2021-11-21 08:02:05
Lusty but not lustful, full of enthusiasm for the road film. Sure enough, Caron in Mexico is the most energetic. He has all the elements in the visual aspect, such as the iconic long shots, various strange angles, and so on. But what makes the movie different is his love for Mexico. , The girl inside said something, probably for him: "You two boys are really lucky to grow up in Mexico. Look here, there is vitality everywhere! Long live Mexico!" The young man said "Heaven" in order to pick up...
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Madilyn 2021-11-21 08:02:05
The Spanish actress Valdo's expression of restraint, teasing, indulgence, control and other different emotions is very decent, supporting the backbone of the triangle...
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Curtis 2021-11-21 08:02:05
The road segment is better than the love of two men and a woman, so I like photography more than plot, and the scenery and beach along the way should be richer than the confusion of youth and the emptiness of flesh. The gate of heaven stood in a warm and sudden youthful summer, and they never went to that beach...
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Chandler 2021-11-21 08:02:05
6/10. The identities of the two boys and the Spanish woman symbolize the white bourgeoisie, Indian descent, and colonial motherland respectively. The woman gradually reversed the initiative and re-established principles. She kissed the two but abdicated and left the boys behind. They conceal class differences/same sex The alliance that tends to be formed went bankrupt due to jealousy. The nationality icon on the car window and the all-knowing narration (telling the lives of workers and...
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Cassandre 2021-11-21 08:02:05
After rewatching, there is a desire to cry. What is shown in the picture is the one-sided truth, and the omniscient voice-over reveals the whole truth. Different angles and degrees of cognition of the truth are the root of all confusion; just like a card Rona’s rhythmic lens depicts a road carnival about growing up or parting, but the seemingly inadvertent footnotes can give a glimpse of his carefully hidden...
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Sister 2021-11-21 08:02:05
It's another story about summer and youth. It's an absurd and ordinary life wrapped in pornography and boy hormones. It's a profound youth comedy. The drinking and wild scene before the last group P is simply too funny and too real. Although trembling badly, it can already be seen that Caron's mirroring and dispatching capabilities are beginning to show off....
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Madelyn 2021-11-21 08:02:05
By the way, the Latin American people are really open... Making love is as common as eating and sleeping. This passionate shooting technique and unrestrained narrative structure once made me wonder if Alfonso Cuarón later photographed "Rome" if there was any change in life ( Fog); the protagonist is not the first sight of beautiful men and women, but because of the youthful self-confidence performance is more fascinating. In the chaotic sex relationship, the camera sometimes pulls away and...
Y tu mamá también Comments
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Alejandro 'Jano' Montes de Oca: I didn't know you want to be a writer. What are you going to write about, "fine boys"?
Tenoch: No, about faggots like you.
Alejandro 'Jano' Montes de Oca: Well, let me tell you that there is a big difference between writing highschool tales and producing actual literature.
Tenoch: When do you begin?
Alejandro 'Jano' Montes de Oca: Have you read my book already?
Tenoch: I read the critics.
Alejandro 'Jano' Montes de Oca: Critics are a bunch of assholes
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Julio Zapata: Traveling is really cool
Tenoch: Yeah, but with mushrooms! You've never stepped into a single plane