When Father Was Away on Business Comments

  • Eloy 2022-04-19 09:02:44

    Looking at Yugoslavia at that time with the eyes of a child, it is unpretentious but sad to the extreme. Martha asked, do you love me, Malik said, I love you more than myself in this world. Who said there would be no true love under...

  • Pattie 2022-04-19 09:02:44

    Once upon a time, Kusdulika's films could be so...

  • Ally 2022-04-19 09:02:44

    8.0/7.7 Kusturica surprised me too much by creating playfulness and comfort with Yugoslav enthusiasm and...

  • Chelsea 2022-04-19 09:02:44

    7.5, the early Kusturica, less crazy, more...

  • Geo 2022-04-19 09:02:44

    Kukaka's humor is beyond...

  • Krista 2022-04-19 09:02:44

    Kusturica just loves this actor, doesn't...

  • Ryleigh 2022-03-20 09:02:47

    The film tells the story of a boy who would fall in love at the age of 7 in a totalitarian society ruled by the tortoise bastard. His father was convicted for a half-joking and thus changed the fate of the whole family. Kusturica's madness has begun to show. Such as hanging on a toilet rope, his grandfather was forced to take a bath and so...

  • Jason 2022-03-20 09:02:47

    This film can be compared with Miha's Scorching Sun. It is not as cruel as Miha's Scorching Sun. It can be said to be a gentle version of the Scorching Sun. Similar problems have appeared in communist countries: China's Cultural Revolution, the former Yugoslavia's Tito rule, and the former Soviet Union's Stalin purges. Kusturica presented it in a more absurd way than Miha. The last dream of flying pays tribute to Ivan’s childhood in the old...

  • Kayli 2022-03-20 09:02:47

    It's so awesome that it doesn't need to be explained. The party is Tito, and Tito is the party. They are originally one. Less powerful than other works but still outstanding, Cannes Palme d'Or. The film genre of the former South is almost a swan song. The last film in 2012, a tribute to the...

  • Johathan 2022-03-20 09:02:47

    "The Tin Drum" has only been awarded for a few years, and Palme d’Or has another one. Kusturica’s unruly and affectionate temperament makes the film not as annoying as general political films, but many can’t tell who is paying tribute to whom. The bridge section is still a routine. This kind of invisible and design according to prescriptions is obviously not attractive to me...