Umberto D. Comments

Sasha 2022-03-17 09:01:06

As if seeing his own old age. 21.11.7 Exhibition of Italian Film...

Jaylan 2022-03-16 09:01:06

I have no resistance to all the details that touch the elderly and dogs. I have a good idea. Five-star tears are...

Chadd 2022-03-16 09:01:06

2021 Italian Masters Exhibition 09 4.5 Desica's ability to control is still top-notch. The old man tried to put together money first. He was full of fighting spirit and didn't move away. He played cleverly in the hospital. In the end, he gradually became desperate. He just wanted to settle down well before committing suicide. He only has dogs, but there is no place for dogs in this world, let alone him?.

Dave 2022-03-15 09:01:05

The third part of Desica's neorealism trilogy. The momentum and overall structure are weaker than "The Bike Thief", and Desica's powerful group play schedule can be seen as early as "Shoe Shine Boy". This film also contributed a long shot of the maid, which is very contagious. And I finally found a favorite movie in the dog theme that I have always disliked. Still the sensational Desica, but sensational, returning to the tragic situation of post-war Italy, the self-exile of the proud...

Clarissa 2022-03-15 09:01:05

7.8 "Shoehine Boy", "Bike Stealer" and "Wind Candle Tears" completed the tragic life of Desika's neo-realism from infancy to middle age to old age. All animals make knots, the white horses leave in childhood, and the puppy accompanies them in old age. They are all hidden in the crowd without results, the middle-aged are lonely, and the old age regains the hope of life. Although Desika may be overly sensational from time to time, he does not cross the line too much, and sometimes is...

Josefina 2022-03-14 14:12:26

A classic at the end of Italian neorealism. A poor old man who lives with a dog, a kind-hearted maid who is unmarried and pregnant. In order to maintain dignity, the old man refused to beg-flip his hands-hide and watch the puppy with a hat on. It seems that there is only a thin line between Chaplin's comedy, but in reality it is totally different. There is no sensational treatment in the whole film, but it is loud and loud. The quick tweet shots facing the ground downstairs when he was deciding...