Ugetsu Comments

Gaston 2022-03-15 09:01:05

The tempo was a bit slow at first, but it was very fascinating at the back. The effect of kneading two stories together is also fine. After reading a few Mizoguchi, the female characters in it are too selfless and humble, which is lamentable. Even if the film is a ghost story, the woman in it is the same: the beautiful lady who turns into a ghost prays for a little bit of love, and the wife who waits for her husband to return home remains loyal to her death. #Repaired...

Gladyce 2022-03-15 09:01:05

8/10. The sentimental mood created by the positional relationship between the characters and the camera: the noble lady who takes the initiative in both behavior and status shoots down from behind, interspersed with the man trying to escape from the back to show the pressure of coercion; the man goes home from the side door to the front door, and is in an empty house He was surprised that his wife was cooking on the fire, he was holding the child, and the ghost's wife was mending her clothes...

Xzavier 2022-03-14 14:12:26

Having said that, the most miserable one is still women. Mizoguchi's lens language is so interesting, this film can be used as a textbook for new directors to learn for a year. The illusory elements added in the film are also very catching, and the two clues narratives are not messy at all. In the end, I was even moved to see, Mizoguchi Kenji. At the same time, Akira Kurosawa has "Seven Samurai", Ozu has "Tokyo Monogatari", Naruse has "Floating Clouds", and Mizoguchi is...