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Angelita 2022-03-19 09:01:07
The tragedy of life and freedom, in order to satisfy one's own needs for a good life. When a better life comes, the man just struggles symbolically and immediately falls completely, and the family is immediately abandoned. There is no news from the man, but the woman will never forget her mission in the family, waiting for the man to raise the man's...
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Bianka 2022-03-19 09:01:07
Absorbing the beauty of painting scrolls and Noh music, the two stories are integrated, the a priori positioning maintains the integrity of the viewer, the flat one-way narrative method, and the scattered perspective mirror words represent one mirror at a time. The beauty of the artistic conception, the interaction with the psychological mechanism of the viewer, the intentional lack of camera skills, the long panoramic lens, the guarantee of the time dimension of the moving object and the...
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Marianna 2022-03-19 09:01:07
Mizoguchi Kenji's camera is calm and quiet, talking about broken family and country, talking about war chaos and favors, talking about people and ghosts. In the two stories, one is about escaping from war in love, and the other is about participating in war as a hero, but both have their dreams shattered. Not as good as imagined, the connection between the two lines is a bit...
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Federico 2022-03-19 09:01:07
Both men are so obsessed that they forget their wives and children. Women are the poorest, even that female ghost. Even the stories of ghosts still permeate Mizoguchi's fundamental views. Mysterious Eastern culture, long lens and depth of field lens, no wonder foreigners like it. Several scenes of the female ghost are all Noh-style dialogues and performances. Peeping and eavesdropping in the depth-of-field lens. Genjuro wielded a sword to drive away a ghost and was...
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Sarina 2022-03-18 09:01:05
Two stories, one is fame, the other is fantasy, wabi-sabi and mysterious, beautiful. The yellow beam is half pillow, the acacia is full of beds, life or death? The fame of a man, the love of a rainy moon in a woman, even if they are ghosts, they are obsessed with love and hatred. We find the disappearance in their stories, take care of our sudden shadows, and every drop of morning dew is the mark of a previous...
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Thomas 2022-03-18 09:01:05
When the enemy wanted to come, the husband insisted on burning the kiln, and felt so empathetic. The fantasy setting in the chaos of war, the ending of the period when the dream of returning to the hometown shines into reality, this is how the classics are...
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Felipe 2022-03-17 09:01:06
#SIFF#Review 4K restoration; the translation of the long mirror is like an ink painting scroll, slowly unfolding the endless love and hatred in the troubled world, the candle illuminates the vanity and desire, the gentle homeland is not a dream of Nanke; the lake is full of water, the mist is filled, and the killing is strange like a dream; the soundtrack is...
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Myrna 2022-03-17 09:01:06
Lonely souls and wild ghosts, family business withered. In the conflict of the end of the war, men’s dreams are nothing more than selfish desires. Through war to express social and contemporary issues, the fate of women is pitiful and sad. After touching the real thing, I knew what Yimeng was like, and everything was sighed, Huang Liangyi dream finally disappeared with the mist. Mizoguchi Kenji is a master of lens...
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Gillian 2022-03-16 09:01:06
Mizoguchi Kenji's "Strange Tan" is more realistic and natural than Kobayashi's. The "ghost" is the supporting role, the "human" has become the main body, the elements of horror and mystery are greatly reduced, and the "human" story complements it. A man who sleeps in a ghost house and abandons his wife and son can be forgiven by his wife’s undead; a woman who has been forgotten by her husband and turned into a prostitute also forgives her "samurai" husband; even ghosts pray for the love of men,...
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Tod 2022-03-16 09:01:06
It reveals the two things that human beings most want to get rid of but usually cannot get rid of, one is called desire and the other is called...
Ugetsu Comments
Extended Reading
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Ohama: Success always comes at a price, and we pay in suffering.