Through the Olive Trees Comments

Amara 2022-03-20 09:02:48

It is best for scholars to marry illiterate people, rich people to marry poor people, and landlords who have no homes... The last scene poeticizes the...

Jimmie 2022-03-20 09:02:48

Comparing with "Living and Flowing", it is endless to watch. Abbas's "installation art" continues to wander back and forth between the truth of the story and the reality of life, and the end is another long shot with a big vision,...

Davonte 2022-03-20 09:02:48

When we watched Abbas’ Koker trilogy, we were always surprised that the nesting doll structure of virtual and reality could expand so infinitely. The reason is that we always forget that the realistic picture is behind it. Abbas's vision and artistic construction. The media he faced was a blend of reality and virtuality. Even his actresses would forget this. They would think that she in the movie is her in reality. They must dress beautifully, but also because they are right in reality. The...

Felipe 2022-03-19 09:01:09

Making a movie is like building a house—built and demolished, demolished and built—Abbas is a master of post-structuralism. Few people, like him, can make movies as real as life. After watching "Lover under the Olive Tree", I actually cried like a child. When the heroine got up and picked up the pot of flowers that survived the earthquake, I couldn't help but remind me of my mother: when she was a child, the house at home collapsed suddenly. There is no road in the world-the survivors probably...

Royce 2022-03-19 09:01:09

I went to the end of C's words, and the result was really shocked. I don't even remember why he talked about this scene. Were we discussing that the ending of the movie is too little shocking? It's very beautiful anyway. I don’t know anything in the future, and the girl does not know if he promised. The boy just follows, as always~~ It’s too...

Emmanuelle 2022-03-19 09:01:09

The first part wins in "gaze", the second part wins in "tonality", and the third part wins in "grammar". After Manet opened the fourth wall of the painting facing the audience, Abbas opened the confined space of the film. Greatly ahead of the many works later called "Metamovies", Abbas did not just reduce the medium to another object, subjectively presenting the filmmakers, but first constructed a self-sufficient four-dimensional model, and then By opening the way to the audience and destroying...

Lois 2022-03-19 09:01:09

Girl, you must never agree. This man understands very well that he married to change his class attributes. Of course, this is understandable, but you have to be sober, do you want to become his pawn. Look at his remarks, start to show good, promise something he can't do, and gradually build a house, will allow you to continue to study, will not let you do housework, these are verbal promises, according to his work Ability cannot be achieved. Then he saw that a sweet jujube would not work, so he...

Elda 2022-03-19 09:01:09

The best trilogy! Abbas truly deconstructed the film, allowing reality, reality and fiction to be completely open to each other, intertwined and blended. It not only inherited the humanistic care of the previous work [生生生流] to the victims after the earthquake, but also completely overthrew the reality illusion created by the first two films. The seemingly repeated NG scenes were mostly caused by the wrong lines of the actors in the play, but each time there was a new difference. Another main...

Haylee 2022-03-18 09:01:07

#2021-8-28三刷#4.5; I sing his grace with a whimper/and remember the sad wind through the olive grove. "Dedicated to the beautiful and extremely beautiful long-term long mirror, it can be called one of the most moving endings in film history-"Green wind, green branches." The ship is at sea and the horse is in the mountains. "In the long gaze that slowly pulled away, their words and silence were all immersed in the boundless greenery. The aftertaste was outside the poem, the story within the frame...

Lysanne 2022-03-18 09:01:07

In addition to the fresh and unpretentious love, the movie can be regarded as Abbas's re-exposition of the boundary between virtual and real after "Close-up". At the end, the fascinating long-range lens adds vividness and romance to the humor caused by the indiscretion of reality and fiction. It is a scene I would imagine countless times when I climbed high places. At this moment, the lens replaced my gaze. Four and a half...