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Brett 2023-02-06 05:28:55
The weird story, the weird atmosphere, and the weird soundtrack are all just right to chill my...
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Jeanne 2023-02-01 01:01:38
Spicer and Duvall's personalities are two extremes, one is restrained and the other is open, but in reality, they are mirror images of each other. (It's not really mystical.) Spisek longed for a new life, so she silently followed Duvall, seeing her as the embodiment of some kind of love (presumably gay here too). In the latter part of the movie, after she committed suicide and was discharged from the hospital, she was ready for both physical habits and spiritual exercises, so she gradually...
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Kamryn 2023-01-17 15:25:14
The soundtrack is good. The shot lacks tension, and it shows more than enough...
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Annetta 2023-01-13 23:01:43
Altman troque toute justification psychanalytique sur les états d'âme de ses personnages contre une ambiguïté schizophrénique accentuée par une bande son agaçante.Portrait freudien de 3 femmes indéfinies en perpétuelle...
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Colton 2023-01-05 01:15:40
80/100, a charming and treacherous tone was set at the beginning, and the vague symbols were still appropriate. Afterwards, the reverse effect gradually appears, and the power of the film begins to collapse like the characters themselves. Ultraman seems to be extremely pursuing the balanced metaphor of the Trinity, which can not help but seem unconventional. Fortunately, the actors' excellent performances and some beautiful passages ensure the basic quality of the...
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Martina 2023-01-04 15:11:47
I seem to understand it, but I don't know how to understand it... I read a film review that was easier to substitute and said "representing the fable of the three women's establishment of a refuge for humanity in the dark castle world", which is some kind of Holy Trinity. It's so interesting, the person who made such a movie is forcing people to look for symbols, I only found the conjecture of the snake head and the...
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Kaya 2022-12-29 01:46:42
Using a large cold-colored dissolving mirror to describe the indifference and alienation between interpersonal relationships and the exchange of personalities of marginalized people, it is hard not to think of the old man's movie. The spooky music and spontaneous camera movement set the mood just...
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Mona 2022-12-18 19:47:51
The search for female identity, the evolution of women's despair and helplessness in social life? A bottle of ketchup, a pistol, a man, a pool of blue water, and the endless grotesque portraits in this world under the...
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Alexis 2022-12-18 01:11:32
Strange to die. 3 sick women? Double Eve? But I feel familiar, Sheri Duvall's beauty is extreme, like the queen of Almodovar, but it has a taste. I can't tell what to say, but I don't hate it. Why does altman like to film women giving birth so much? I have always suspected that the poor reputation of Dr T and the Women has something to do with the description of the last...
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Karson 2022-12-16 03:25:52
It's amazing! It's as weird and memorable as a dream! Also assembled the two heroines of Carrie the Witch and The...
Three Women Comments
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Dr. Maas: No. I do not think this was a simple mistake. The chances of her making up a Social Security number exactly the same as yours are very slim.
Ms. Bunweil: She maliciously gave me your number when she filled out her W-4.
Millie Lammoreaux: How could she have? I didn't even know her then.
Ms. Bunweil: Don't get smart with me, Lammoreaux. You can't fool me. She told me she couldn't remember her number and was gonna write home for it, and, like a fool, I believed her.
Millie Lammoreaux: So maybe she forgot to do it and just gave you mine instead. She didn't mean anything bad by it. I don't know what makes it such a big deal. She's just a little kid.
Dr. Maas: I'll tell you what makes it such a big deal. I do not want any discrepancies in these records. I do not want government people coming in here going through these books. I think Rose did this on purpose.
Ms. Bunweil: I didn't trust her from the very minute I first laid eyes on her.
Millie Lammoreaux: She never did anything wrong on purpose. She's just scared of you, that's all. Then she almost died, and nobody even cared around here. You're the bad ones, not Pinky. All you care about's your time clock, your money and your dumb books. Well, you don't have to worry about any Social Security numbers anymore, because I quit. It's a horrible job. And we don't need it. Neither of us.
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Millie Lammoreaux: All right, Pinky. How come you stole my car? Pinky?
Pinky Rose: I didn't steal your car. I borrowed it.
Millie Lammoreaux: You did not. You didn't even ask.
Pinky Rose: Couldn't find you.
Millie Lammoreaux: You didn't try very hard.
Pinky Rose: I tried hard.
Millie Lammoreaux: You did not. You could've at least told Doris or Alcira of somebody. Who took you there to go in and get my keys?
Pinky Rose: Tom.
Millie Lammoreaux: Pinky, I had to call the police and everything. They're sittin' in there right not waitin' on me. They think somebody stole my car.
Pinky Rose: They're sittin' in there, huh? Well, aren't you the lucky one?
