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Andy 2022-03-27 09:01:12
During the viewing period, I have seen...
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Alyson 2022-03-27 09:01:12
Disappointed after all. Not to mention that Haneke's ability to play with cold violence has dropped significantly, his technique of creating a repressive small environment with one-sided exposure and full darkness and light is basically rubbish. The sudden appearance of the World War I background is even more far-fetched. The first thing that fascinates me is the sense of slippage and the black-and-white style outlined by the narration of the time-travel, but in general, it serves the...
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Hans 2022-03-27 09:01:12
watched for a day. . . The narrative of absolute nb can be understood why so many people respect it. But it's too boring for...
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Bailee 2022-03-27 09:01:12
It was the first time I watched such a suspense-themed film to be shocked by the suppressed atmosphere that could erupt at any time. And Haneke actually stopped, but maybe it doesn't matter who the murderer is. The last shot is very "Piano Teacher". "How the Nazis were Born". A movie you must stop and...
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Cyril 2022-03-27 09:01:12
The unresolved ending of 9.25 makes the mood suddenly rise, and the front seems to be insufficient due to too many characters. Haneke challenged Bergman's classic priest to strictly discipline children. Although Bergman's is better, Haneke is Haneke, not Abbas or Apichatpong. The bridge section is very...
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Meagan 2022-03-27 09:01:12
1. An anecdote in the countryside, the case is lost and unsolved; 2. The cold camera, the violence behind the door, the suppressed emotions, the invisible...
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Jordane 2022-03-27 09:01:12
Black and white tones, multi-line narrative, smooth mirror movement, extreme coldness, and great ambition. Starting as a piano teacher, Haneke really focused on cultural and educational reflection for 30 years... an infinite loop, where everyone is a participant, downright pessimistic, but also warm. In fact, the mystery has already been revealed, and what really makes people shudder is the subtext. Two and a half hours is already unbearable, let alone twenty...
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Sunny 2022-03-27 09:01:12
Rewatching it is not only the film itself, but also the moment when the film is burned, which increases the awe of the film; Haneke's ruthlessness is too suitable for watching on the big screen, and only in the dark can you hold your breath and perceive the dark tide The turbulent collapsed core, the terrifying consequences of confinement and control, who is the murderer? The film gives the answer, and the mass perpetrators are also...
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Mable 2022-03-27 09:01:12
Calm and restrained, explore the formation of a thought and atmosphere, with every touch. It's not boring at all, and the pictures are rigorous and beautiful. In general, it is indeed one of the few masterpieces in recent years. A little digression: even a lot of these things are left in the German language itself. In Berlin's increasingly interesting and electronic music dominated today, I actually expect German to get rid of more constraints and become lighter and more...
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Edmond 2022-03-26 09:01:08
Haneke has always excavated the evil of human nature, but the film is so serious and dull that it is unimaginable, and it is not seen until the end. Watching this kind of film also sees a flower, either you really have a heart full of philosophy, or a heart full of beauty (fuck the Palme d’Or, balance and foster the humanity of a new generation of masters) Disaster and political correctness, who...
The White Ribbon Comments
Extended Reading
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Martin: I gave God a chance to kill me. He didn't do it, so he's pleased with me.
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The Doctor: My God, why don't you just die?
Director: Michael Haneke
Language: German,Italian,Polish,Latin Release date: March 5, 2010