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Duane 2022-04-21 09:02:28
Climbing and blasting rocks on the dirt road at an hourly speed, washing up Baibai's family traditions at the time of execution, crushing the oil bath by a friendship boat, and finally rewarding the dance of vertigo; the despair and fear of the desperadoes can be shaped very...
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Syble 2022-04-21 09:02:28
A masterpiece of existential cinema, an absurd journey through the absurd world. The first hour was a bit bloated, but the scene that followed was immortal...
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Wendell 2022-04-20 09:01:48
Dirty bodies, how staggered weave compactness and joy, the appearance of foreign nations, the appearance of...
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Shakira 2022-04-20 09:01:48
09.6.24 first brush, 18.6.19 second brush full version, the Shanghai Film Festival repaired version, more profound and thrilling than the first...
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Corene 2022-04-20 09:01:48
At first, watching the movie was like the small town on the screen that couldn't get out no matter what, it was chaotic and psychedelic, I didn't know what the director's intention was, and it was a little uncomfortable or even anxious to watch. It lacks that sense of leftover quietness. Where is this in Africa? How long after WWII? Why are there so many poor white people? But gradually, the films begin to come together, and the characters are plump and moving with an artistic repetition. Since...
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Arjun 2022-04-20 09:01:48
A movie that reminds me of Akira Kurosawa's "Trolley Mania" in the first half and Jacques Baker's "The Hole" in the second half. In the first 40 minutes, I used all my ink to describe the group portraits of the refugees in the town, their mental state and living conditions. In the second half, I was hanging with all my strength and the tension was not inferior to "The Hole". The detail presentation, editing, and rich inner description of the characters are perfect. The outstanding shooting...
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Milan 2022-04-20 09:01:48
The masterpiece of #siff#, a movie that switches between half-laughing and half-scaring at the same time, can be summed up in one sentence: just drive a truck and make my blood boil. In the second half, my whole body was basically stiff and I watched it. After reading it, I was sad to find that "Blue Danube" was not good when it came...
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Sylvester 2022-04-20 09:01:48
The hearse drifts, the tomb...
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Clay 2022-04-20 09:01:48
My opinion and that of many bean friends are just the opposite. If the beauty of a movie is in the skills of creating tension, then starting from my pure feelings, no matter how nervous I am, I know that all this is "fiction" Empathy, even superficial "tension". And the fact that the film focuses only on this one theme from the title, builds a kind of phantom tension more like magic. There is no denying the director's skillful skills in pondering and constructing this "fear", but to be honest,...
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Marjolaine 2022-04-20 09:01:48
The charm of the old film, the tension, from the beginning of the theme, the tense strings have not been...
The Wages of Fear Comments
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Aurelia 2021-12-22 08:01:03
Film Study Notes
Cruzo was convicted of being a criminal for filming "The Crow" and lived in exile in a foreign country for one year. This kind of experience made him desperate for life, and he had a deeper understanding of the social relationship between people, people's social value, people's social attributes,...
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Oceane 2021-12-22 08:01:03
Everyone paid the price
Recently, I have picked a few old movies in order to escape from the so-called blockbuster movies. Sure enough, I didn't disappoint. The 53-year film was able to reach such a high level. I really admire these masters.
At the beginning, I didn't understand the price of fear in the title. For more...
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Bill O'Brien: The Hell with the Union! There's plenty of tramps in town, all volunteers. I'm not worried. To get that bonus, they'll carry the entire charge on their backs.
Bradley: You mean you're gonna put those bums to work?
Bill O'Brien: Yes, Mr. Bradley, because those bums don't have any union, nor any families. And if they blow up, nobody'll come around bothering me for any contribution.
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Dick: When I was a kid, I used to see men go off on this kind of jobs... and not come back. When they did, they were wrecks. Their hair had turned white and their hands were shaking like palsy! You don't know what fear is. But you'll see. It's catching, it's catching like small pox! And once you get it, it's for life! So long, boys, and good luck.
Director: Henri-Georges Clouzot
Language: French,English,Spanish,German,Italian,Russian Release date: February 16, 1955