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Miles 2023-04-28 08:23:01
The Hong Kong translation of "True Love" is quite appropriate. It is an interesting and delicate little film. Intertextuality and reflexive play are very enjoyable. You can feel that the director is trying hard to find the subtleties that may be common in French sketches and Japanese family films (the truth and memory). dialectically, depicting the hidden power struggles in family relationships). The casting is really good. In recent years, Deneuve has also played a lot of sly and jealous...
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Lucie 2023-04-12 02:03:42
I saw the director's Q&A session in Melbourne. It was Hirokazu Koreeda who was really easy-going and humble. He kept bowing to everyone and answered every question with a thoughtful expression. Moving from Japan to France, he is still talking about family, misunderstandings between generations, biased memories and preconceived prejudices. I love sci-fi movies within a play, Anna's voice is really charming, and that gift dress is really beautiful. I love Grandpa's character the most, probably...
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Amparo 2023-03-17 12:43:01
It's Hirokazu...
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Dusty 2023-02-27 11:41:55
What people collage with illusions is life, and it is meaningless to pursue the...
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Nedra 2023-02-25 11:23:21
The plot is similar to "Autumn Sonata", but the filming is much worse, because it is really obvious that in many scenes, Hirokazu Koreeda has no way to control the actors (really the original sin of the foreign language director), and it seems that he can't control it at all. But is this "real" really the real movie? If you can't even do it accurately, don't mention it later... But what's interesting is that Hirokazu Koreeda could have chosen an ordinary play within a play, but he chose to...
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Filiberto 2023-02-18 15:33:31
The combination of European-style scenes/subjects and Japanese emotions presents no sense of violation. Although the entry point and the harmonious ending of family conflicts still have the characteristics of Hirowa, but overall, it is closer to the warmth of "Autumn Sonata" (Mother-daughter misunderstanding/confrontation + identity setting of mother as a star), and the film itself is not clearly recognizable. Whether it is subjective memory or what you have seen or experienced, the so-called...
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Stone 2023-02-14 06:39:08
This kind of movie is a bit like waiting for a French terrier and a Shiba Inu to have offspring. Cute must be cute, but who has stronger genes has to be born to know - it still looks more like a terrier...
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Emery 2023-01-22 20:46:42
[Busan Film Festival Screening] Japanese family drama + French background setting, for Shie Hirokazu, it was just a not-failed internationalization attempt. It's not bad that there is no sense of contravention by mechanical methods. Except for a few scenes of light music that create an atmosphere, it is difficult to see the traces of Hirokazu Kee. It seems to be just a fairly modest French film with female subjects. The subject of mother-daughter reconciliation is not uncommon. The setting of...
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Vallie 2022-12-25 10:36:31
A typical bad movie that looks good and has an empty inside. It is not a fatal problem to express Japanese warmth out of the Japanese context. What is fatal is that the sense of reality and record quality that Shizhi's works should have been washed away. How does it feel? Probably just watching Deneuve and Binoche in a morning drama. When the small fresh accompaniment sounded, I felt nauseated. And Ethan Hawke please answer what's the point of you taking this...
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Jayda 2022-12-23 16:29:26
Under the skin of the French, what flows is still the essence of the director's personal charm. It is Kee Hirokazu who still chooses to use small-scale family dramas to delicately express his thoughts about family and affection; the feelings in his movies can never be weakened by changing the language of expression. After all, this feeling is universal in the world....
The Truth Comments
Extended Reading
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Fabienne Dangeville: I'm not really interested. I just can't stand this silence.
Lumir: I like it.
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Lumir: How strange. I remember it bigger.
Fabienne Dangeville: It hasn't changed. You've grown.
Lumir: Goes to show, memory can't be trusted.