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Ellen 2023-06-14 06:47:58
One of the most shocking movie openings I've ever seen is a steel monster hoisted to fly Jesus, a reporter flirting with a bikini girl, and the next second when the icon is projected onto the earth and then receives the mask of a Southeast Asian god. The rich party of the rich and the rich, the ugliness of American actresses from all walks of life, the night tour in the ancient villa and the gods, the superstitious public, the tragedy of the philosopher killing his children and committing...
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River 2023-05-09 19:32:37
Not surprisingly, this is probably my favorite of Fellini's...
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Ethel 2023-05-05 06:12:36
【S】Aphasia. A speechless super masterpiece. A work without any flaws is...
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Valentina 2023-05-04 16:42:10
If you love him more than he loves himself. . . . . . Aftertaste, endless...
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Gayle 2023-04-29 07:22:02
Watched "La Dolce Vita": This is the second Fellini film I've watched, forgive me for fast-forwarding. It turns out that this handsome guy is Mastroianni. It's not a good-looking movie, but compared to Italy, which now only produces designers who are just as good as they are, that's the only thing to think of the afterglow of neorealism and the new...
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Paris 2023-03-25 18:18:21
The most miserable life is better than living under the protection of an organization where everything is arranged precisely - the film dialogue is completely mocking my Italian. Marcello's furrowed brow is the sweetest irony of...
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Katlyn 2023-03-13 11:54:20
#archive# is very sad, it has been sad since the last 1/3 (probably), and the stamina is too great. The characters in the film are constantly mirroring each other, and finally they are reflected in my heart through the screen. It is undeniable for the sweetness in the film. Although the bliss and sorrow are constantly coming from the screen, this is by no means pure irony: this is a deformity of reality, and it is the suffering and addiction of the world in the endless pursuit. Among them, I...
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River 2023-02-24 22:15:08
The extravagant high society reveals a sense of emptiness everywhere, as well as a fragility that is crumbling and may collapse at any time. Sylvia is like an angel, but she can't redeem Marcello in the whirlpool: the sweetness of life is only an appearance, and who can you tell the inner anguish? Only fall. The scheduling is gorgeous, and the black and white pictures can't hide the splendor of light and...
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Francisca 2023-01-21 19:32:33
Because Lacan mentioned it by name in the discussion class, it took most of the day to finish the nearly three-hour film with the school's chillingly slow Internet speed... In the scene of the last beach, "Pleasure seekers just begin to walk, and they are almost always equally invisible, and actually like statues moving through the woods of...
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Zander 2023-01-07 12:38:07
A predictably frenzied work, full of metaphor, banter, and irony. The transitions are particularly rich, and it is such a frequent bombardment that swayingly enters the director's language. It is full of confusion about the ultimate direction of modern life and the director's own perception. The most soulful scene is the last scene. The little girl who once met by the sea beckoned the male lead, but unfortunately the night was still so long, not to mention that he was already dead, this sense...
The Sweet Life Comments
Extended Reading
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Paparazzo: What do you think you like most in life?
Sylvia: I like lots of things. But there are three things I like most. Love, love and love.
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Laura: [to Marcello] Stay free, available, like me. Never get married. Never choose. Even in love, it's better to be chosen.
Director: Federico Fellini
Language: Italian,English,French,German Release date: April 19, 1961