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Keegan 2022-03-14 14:12:30
Three brushes, the highest work of poetic realism. 1. Farce interprets comedy, and comedy wraps tragedy. Renoir brings together people representing different classes in a gathering, and with a very natural and objective narrative, draws us a complex and diverse social landscape. Nobles and servants seem to have class differences, but they are also jealous and ignorant. "Lies are the rules of this society, and hypocrisy is our most noble passport." devour. 2. The Marriage of Figaro. 3....
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Billie 2022-01-26 08:43:44
Hypocrisy is our most noble pass; the whole schedule of the party from beginning to end, the integration of the previous preparations, and the overall performance of the show are really...
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Marco 2022-01-26 08:43:44
The first Jean Renoir. The most modern work of the 1930s I've seen so far, both in terms of humor and scheduling thinking. Obviously there is no concept of love at all, but he lightly weaves a witty and poetic picture of the relationship between men and women. The reason why the sudden shot at the end didn't make the farce turn black is because it was only the serious and secular people out of the game, in the rules of the game where promiscuity is addictive and life is like a...
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Cindy 2022-01-26 08:43:44
Renoir is good at long takes and has an extraordinary ability to organize the movement of the shots, parallel movements in the foreground and background at the same time, creating dramatic contrasts and reducing shot cuts to a minimum! In addition to long shots, he also pays attention to montages and metaphors, such as the hare hunting sequence and the death dance in the masquerade sequence, which finally...
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Ollie 2022-01-26 08:43:44
The whole process is high-energy from halfway through, talking about men and women, about the vicious circle of marriage and socialization, an endless cycle that once caught in and can never be escaped, and is catalyzed by parties, dance floors and burlesque, and the people who interfere with this process can only end up being A stone thrown into the Atlantic, disappeared in people's memory. Renoir's narration and style, the combination of beautiful mirror movement and absurd group scenes, are...
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Daija 2022-01-26 08:43:44
7.6 It is both sad and joyful, comical and absurd and critical, amidst the chaos and sadness, not feeling much but feeling exceptionally smooth, the most exciting part is the outdoor hunting and banquet chase, which seems to illustrate the temperament of realism and classical style. . - Let's end this farce. -Which farce? //What are you talking about, I...
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Chase 2022-01-26 08:43:44
Andre wants to fit into a world he doesn't belong to, and ends up being a victim. He didn't respect the rules of the game and wanted to break the rules by flying around the world, and Kristin wanted to do the same by doing whatever he wanted. Rules are the only bad guy in the film. "The world is made up of factions, and each faction has its own customs, its norms, its own language, in short, its rules, and those rules determine the game," Renoir...
The Rules of the Game Comments
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Justyn 2022-03-23 09:03:15
Reflections on the Philosophical Issues Involved in Jean Renoir's Rules of the Game
1. Everyone is looking for the Sartre-style "perfect moment", that is, the absurd compensation for missed opportunities, fantasy romance can overcome reality, and the pursuit of the passions of the past is wiser than them, she wrote, "I don't want to be in this life. See you again, because,...
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Christine de la Cheyniest: Kiss me. On the mouth, like a lover.
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Robert de la Cheyniest: I believe in little, but I may start believing in friendship.
Director: Jean Renoir
Language: French,German,English Release date: April 8, 1950