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Andreanne 2022-04-08 09:01:13
The actors are delicate and naturalistic. But Kong has a formalist shell, the mental state of the characters has been monotonous and continuous without changes, the same shots and scenes are repeated constantly, the visual rhythm and inner emotional expression are relatively chaotic, so they are always in the mood of being interrupted and unable to reach the extreme state of powerlessness. In contrast, I realize how powerful rhythm creation is in the editing and photography of Malik's...
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Adonis 2022-04-08 09:01:13
The overall story is told slowly, plain to ordinary, or I think like the male protagonist that he will stand on the field again, and finally everyone accepts the reality, this is the truth, how can there be so many miracles and legends, many scenes are great, true emotions and...
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Nathaniel 2022-04-08 09:01:13
On the grassland in the early morning, stroking the horse's back, offering gentle comfort in front of the mentally handicapped sister and her epilepsy friend, holding back tears while driving on the highway, faltering after her beloved horse was shot, but just sucking a mouthful of phlegm, at the dream arena The former finally accepted fate and left secretly. Beneath the colorful clouds, above the grassland, hold the reins tightly and refuse to let go. That is the belief of cowboys galloping...
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Robb 2022-04-08 09:01:13
D+/ The photography of regional wonders is ok, there are several breath-taking interactive paragraphs of people and horses, nothing else. Still unconsciously comparing "Jockey Pete", the emotional control under the half-hearted mediocre script is not even a single...
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Major 2022-04-08 09:01:13
Zhao Ting observed the troubled American Western culture with curious eyes in [The Knight], and thus made the film into a genuine elegy. This may be the beginning of a new era of westerns: economic problems have eroded into the idyllic Great West, and the glory of the past can only be recovered in YouTube videos and dreams. The part of the film that describes the relationship between people and horses is excellent, but the emotional passages that are too straightforward and too old-fashioned...
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Clifford 2022-04-08 09:01:13
7.0 The script of Wen Tunshui may be an adaptation of this kind of real thing. It is a common problem for real people to appear in movies. Compared with Dongmu's film, it is better than the taste of the communication between people and horses, and this photography, let alone true. A bit of a malic feel. This Chinese female director Zhao Ting deserves long-term...
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Cyril 2022-04-07 09:01:07
Dakota's version of "Some Kind of Man" is also full of indie. Such a simple and real texture can be attributed to the director's meticulous observation and capture of life (and she grew up in another cultural environment) and the use of non-professional actors. On the vast grasslands, the knights came to know and understand their relatives, their past glory and career. I thought it would be another "stupid film" featuring the main scene -- but I didn't expect the finishing touch to the...
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Daphney 2022-04-07 09:01:07
3.5 From control to tameness to (short-term) alienation and finally assimilation, it is a clearly visible standardization process. Rebirth from ashes and desperation are the double endings of film and life, but they are not as convincing as the aria of unilateral acceptance of death , the shallow text "Peregrine Falcon"-style line drawing technique presents not so much the absolute opposite of movement and stillness, but more like the complementary and timely stumbling of scenery (objects) and...
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Preston 2022-04-07 09:01:07
It's a new-age "Cowboy" (the Travolta version), in which American bodies are shattered by harsh conditions and brutal traditions, and the heroes and villains of the Wild West are gone. These are remnants of America's sacred fascination with the Wild West. Zhao Ting's oriental perspective has always made her make this film with a respectful curiosity that American filmmakers tend to ignore, or simply put into the...
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Deontae 2022-04-07 09:01:07
Entering the arena again, the movie chooses success or death, and life chooses to give up. Because the stage of life is not injured and will quit, there are more places waiting for competition, and those places are still full of excitement and splendor. (It’s not that I’m just trying to make chicken soup, the movie is also deliberate, but I really empathize with it. Sometimes when I’m forced to give up a certain love of my own, the five flavors become clear to me.) Beijing Film Festival...
The Rider Comments
Extended Reading
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Brady Blackburn: If any animal around here got hurt like I did, they'd have to be put down
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Brady Blackburn: You know, Lilly, I believe God gives each of us a purpose.
Lilly Blackburn: Very true.
Brady Blackburn: To the horse, it's to run across the prairie. For a cowboy, it's to ride.